‘This is <b>valuable writing</b>. It has <b>immense vitality</b>. You will encounter a female narrator whose <b>direct and bright-eyed</b> stare at the world, and herself, is without shame or faux modesty. At the same time, it is also <b>a deep study of existence</b>, at various ages and stages in life.’ <br />
Deborah Levy
<p>‘The ‘movements’ of <i>The Paris Trilogy</i> t<b>hrum with life, sparkle with insight</b>. It was <b>an exhilarating read</b>. I’ve never encountered a more perfect depiction of how the world shrinks when you understand that you’re a ‘girl’, rather than a ‘person’.’ </p>
Natasha Brown
‘Colombe Schneck writes with <b>bracing intelligence and lucidity</b>; she sees the world, and herself, with hard won clarity. A <b>brave, beautiful, uncommonly tender book</b> about love, death, sex and survival.’
Katie Kitamura
‘<i>Seventeen </i>mines a trauma all too common for women and is published at a time when France has just enshrined abortion rights in their constitution. I found it <b>a tale of frank retrospection</b>, a mature woman looking back on her naive self with love and respect. It is immensely readable and still sadly relevant. <b>Give it to every young woman you know</b>.’ <br />
Monique Roffey
‘Whether she’s writing about passion or perfecting the front crawl, there’s <b>a frankness to Schneck’s meditations on womanhood </b>– <b>crisply translated here by Lauren Elkin and Natasha Lehrer </b>– that is <b>electrifying</b>.’<br />
- Hephzibah Anderson, Observer
'Schneck, translated by Lauren Elkin and Natasha Lehrer, also shares Ernaux’s plain style: <b>simultaneously intimate and detached</b>.'
- Anna Leszkiewicz, New Statesman
Produktdetaljer
Biographical note
Colombe Schneck is the director of four documentary films, the author of eleven books of fiction and non-fiction, and has received prizes from the Académie Française, Madame Figaro and the Society of French Writers, as well as having been shortlisted for the Renaudot, Femina and Interallié prizes. She lives in Paris.