The publication will investigate the multiple interactions between the written word and images. Literary works (drama, fiction, poetry, essays), films, photography and the fine arts will be studied with a comparative approach. The interrelationship between word and image will also be analysed according to the various types of occurrences: ekphrasis (narrative description of artistic objects); imagology (stereotypical images, orientalism, exoticism); cultural, rhetorical and symbolic constructs (Shakespearian imagery); filmic, digital or televised transpositions and adaptations of literary works; intermediality (mixed media works). Moreover, another field of investigation explored will be the digital world (e-archives, blogs embedded in literary worls, webliterature, twitterliterature, hipertexts).
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The publication will investigate the multiple interactions between the written word and images.
This collection of essays offers a varied and multidisciplinary approach to the relationship between Literature and the Arts from the imagery of the Shakespearian canon, to the ekphrases of poetic representations of art works, to a closer dialogue between the written word and graphic design, photography and film in modern and contemporary literature
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Produktdetaljer

ISBN
9788869770838
Publisert
2017-07-31
Utgiver
Vendor
Mimesis International
Høyde
210 mm
Bredde
140 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
402

Biographical note

Carmen Concilio is Associate Professor of English and Postcolonial Literature at the University of Turin. Her research fields include British Modernism, Postcolonial and Environmental Studies. Her most recent publications include, as editor and author, Plots and Plotters (Milan: Mimesis International, 2015); New Critical Patterns in Postcolonial Discourse. Historical Traumas and Environmental Issues (2012). She has also co-edited (with R. Bromley, P. Deandrea) Engaging Wor(l)ds in Postcolonial Studies: Human Rights, Environmental Humanities and Well-being, Ricognizioni, vol. 3, n. 5 (2016); (with R. J. Lane) Image Technologies in Canadian Literature: Narrative, Photography and Film (Brussels: Peter Lang, 2009). Maria Festa is completing her MA in English and Postcolonial studies at the University of Turin. Her research fields include Caribbean and Black British Literature (Caryl Phillips) and relationships between Literature and Photography. She has participated in international conferences and published reviews and short articles. Federico Vercellone is Professor of Aesthetics at the Department of Philosophy and Educational Sciences at the University of Turin. Among his publications, translated into several languages, there are Introduzione a il nichilismo (2009); Pensare per immagini (with O. Breidbach, 2010); Oltre la bellezza (2008)