"proves we’ve been ignoring half the world’s artists"
- David Taffet, The Dallas Voice
A tour de force of portraiture from women over the past half century, “women’s work” their male contemporaries could only dream of matching.
- Chad Scott, Forbes
"does more than amend a centuries-long art historical narrative centered on male artists. It celebrates underrepresented female perspectives without limiting them, pulling an intergenerational collection of female figurative painters into conversation with each other through their art"
- Courtney Thomas, Sightlines
"grapples with how the definition of 'woman' has expanded, grown elastic, to better serve a diversity of self-representation"
- Tessa Solomon, ArtNews
"What shows through in these artworks ranges from dignity and bravery to a unique transparency and unexpected realism. Raw, intense and human."
- Courtney Dabney, PaperCity
So, how do women paint women? It's less about seeing them differently from men, than showing them different. For centuries, artists' male gaze saw women as objects of desire, idealized and voluptuous, with luscious white skin and dimpled knees. Women artists in this exhibition, like Alice Neel and Emma Amos and others, show women as differently beautiful: pregnant, overweight, sometimes despondent. As we are, wrapped in our truths.
- Susan Stemberg, NPR
"curated with such intelligence that the works form a conversation. It is as though we were seeing a cohort from the inside out"
- Eve Hill-Agnus, Patron Magazine