A new collection of essays, <i>Women of Ice and Fire: Gender, Game of Thrones and Multiple Media Engagements</i> explores the role and representation of women in Martin’s <i>A Song of Ice and Fire</i> books and its cultural adaptations.

The Conversation

This is not just another academic book exploring a popular culture phenomenon and the representation of women inside this phenomenon, it is the contemporary reference work to the representation of female characters in the<i> A Song of Ice and Fire</i> books, the TV series (<i>Game of Thrones</i>) and other transmedia adaptations.

Pop-Zeitschrift

Together, the contributions provide a welcome and nuanced analysis of the female figure in relation to fantasy ... It is recommended for readers of all genders.

Norsk Medietidsskrift (Bloomsbury translation)

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<i>Game of Thrones </i>and controversy go pretty much fist in gauntlet. And nowhere more so than around its presentations of nudity, sex and sexual violence on screen. Arya … Brienne … Cersei … Daenerys … Ellaria: just the start of an alphabet of complex female characters whose actions and sufferings have been hotly debated. So, can academic criticism take us beyond simple praise vs. condemnation? Oh yes. Agreement? Now that really would be fantasy. Instead, this book elaborates on the debates around particular characters, scenes and narrative adaptation decisions, to great effect. Pretty much all varieties of contemporary feminist analysis are well represented here. The issues are clearly important – but there is also fun to be had, deciding who you (dis)agree with, and why.

Martin Barker, Emeritus Professor of Film & Television Studies and Principal Investigator in Lord of the Ring and Hobbit Audience Projects, Aberystwyth University, UK

The popularity of the HBO <i>Game of Thrones</i> is sensational, and thus a scholarly collection that brings together different perspectives—from gender, genre, television and film, adaptation, and fan studies—is a welcome contribution especially as it engages with the most controversial aspects of the show. By focusing on women characters in George R.R. Martin’s novels, <i>Game of Thrones</i>, and its video-game and wiki byproducts, collectively these essays confirm just how powerful gender politics and sexualized violence are in the production and consumption of fantasy across media today. By taking fan and other public discussions of the show seriously, the book also invites us to consider there may be something new in women’s engagement with fantasy.

Cristina Bacchilega, Professor of English, University of Hawai‘i-Manoa, USA

<i>Women of Ice and Fire: Gender, </i>Game of Thrones<i>, and Multiple Media Engagements</i> is an anthology that needed to be written and must be read. This book presents a series of thoughtful and engaging essays about the female characters who populate the universe of this incredibly successful book and television series. <i>Women of Ice and Fire</i> is an excellent study of the rich tapestry of women – from the progressive to the conventional, the monstrous to the glorious – who give life to the fantastic world that has captured the hearts of millions.

Angela Ndalianis, Head of Screen and Cultural Studies, University of Melbourne, Australia

George R.R. Martin’s acclaimed seven-book fantasy series A Song of Ice and Fire is unique for its strong and multi-faceted female protagonists, from teen queen Daenerys, scheming Queen Cersei, child avenger Arya, knight Brienne, Red Witch Melisandre, and many more. The Game of Thrones universe challenges, exploits, yet also changes how we think of women and gender, not only in fantasy, but in Western culture in general.

Divided into three sections addressing questions of adaptation from novel to television, female characters, and politics and female audience engagement within the GoT universe, the interdisciplinary and international lineup of contributors analyze gender in relation to female characters and topics such as genre, sex, violence, adaptation, as well as fan reviews. The genre of fantasy was once considered a primarily male territory with male heroes. Women of Ice and Fire shows how the GoT universe challenges, exploits, and reimagines gender and why it holds strong appeal to female readers, audiences, and online participants.

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Introduction
Rikke Schubart, University of Southern Denmark, & Anne Gjelsvik, Norwegian University of Science and Technology, Norway

Adapting Sex: Cultural Conceptions of Sexuality in Words and Images
Mariah Larsson, Stockholm University, Sweden

Adapting Desire: Wives, Prostitutes, and Smallfolk
Shannon Wells-Lassagne, Université de Bretagne Sud, France

Unspeakable Acts of (Sexual) Terror as/in Quality Television
Anne Gjelsvik, Norwegian University of Science and Technology, Norway

Sworn Swords and Noble Ladies: Female Characters in Game of Thrones Video Games
Felix Schröter, Universität Hamburg, Germany

Woman With Dragons: Daenerys, Pride, and Postfeminist Possibilities
Rikke Schubart, University of Southern Denmark

Power Play and Family Ties: Hybrid Fantasy, Network Narrative, and Female Characters
Helle Kannik Haastrup, Roskilde University, Denmark

Mother, Maiden, Crone: Motherhood in Westeros
Marta Eidsvåg, freelance writer, UK

Women Warriors From Chivalry to Vengeance
Yvonne Tasker, University of East Anglia, UK, & Lindsay Steenberg, Oxford Brookes University, UK

Female Machiavellians in Westeros
Elizabeth Beaton, Australian National University, Australia

The Expert Female Fan Recap on YouTube
Susana Tosca, University of Copenhagen, Denmark, & Lisbeth Klastrup, University of Copenhagen, Denmark

“I’m Not Going to Fight Them, I’m Going to Fuck Them”: Sexist Liberalism and Gender (A)Politics in Game of Thrones
Stéphanie Genz, Edge Hill University, UK


About the Contributors

Full Bibliography

Index

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Explores women across the transmedia universe of Game Of Thrones through analysis of female characters, of politics, power, sex, violence, genre and narratives as well as audience engagement and participation
Les mer
Close transmedia investigations of gender, characters, and audiences across the transmedial GoT universe

Produktdetaljer

ISBN
9781501302893
Publisert
2016-04-07
Utgiver
Vendor
Bloomsbury Academic USA
Vekt
549 gr
Høyde
229 mm
Bredde
152 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
288

Biographical note

Anne Gjelsvik is Professor in Film Studies in the Department of Art and Media Studies at Norwegian University of Science and Technology in Trondheim, Norway. Her research includes popular cinema, film violence, representation of gender in the media, and adaptation studies. Among her recent publications are Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Rikke Schubart) and Adaptation Studies: New Challenges, New Directions (2013).

Rikke Schubart is Associate Professor in Media Studies at the Institute for the Study of Culture, University of Southern Denmark in Odense, Denmark. Her research focuses on gender, genre, and emotions in cinema and media. Schubart's publications include Mastering Fear: Women, Emotions, and Contemporary Horror (forthcoming), Eastwood’s Iwo Jima: A Critical Engagement with Flags of Our Fathers and Letters from Iwo Jima (2013, co-edited with Anne Gjelsvik), and Super Bitches and Action Babes: The Female Hero in Popular Cinema, 1970-2006 (2007).