<p>“<i>What Is an Image?</i> offers a richly informative, wide-ranging, and open-ended ensemble of ideas and viewpoints that significantly advances the scholarly conversation. One of the great virtues of the volume is that it breaks with the standardized format of much academic writing to allow the coexistence of a plurality of voices and opinions. The reader is allowed to ‘listen in’ on a discussion that takes place at the cutting edge of current research and thereby gains a clear overview of the issues at stake in reconceptualizing the image.”</p><p>—Jason Gaiger, The University of Oxford</p>

<p>“<i>What Is an Image? </i>is bursting with incisive debate and suggestive commentary about the nature, diversity, and peculiarity of images, ranging from brief remarks to focused critiques to a sustained analytic afterword. In navigating the thicket of past and contemporary image theory, it juxtaposes an astonishing range of views—sometimes compatible, sometimes contradictory, always distinctive. But it never loses sight of core concerns, and it productively reopens and reorients some of the most challenging questions about our reception and representation of the visible world.”</p><p>—Whitney Davis, University of California at Berkeley</p>

What Is an Image? raises the stakes for writing in art history, visual studies, art theory, and art criticism by questioning one of the most fundamental terms of all, the image or picture. This innovative collection gathers some of the most influential historians and theorists working on images to discuss what the visual has come to mean. Topics include concepts such as image and picture in the West and outside it; the reception and rejection of semiotics; the question of what is outside the image; the question of whether images have a distinct nature or are products of discourse, like language; the relationship between images and religious meanings; and the study of non-art images in medicine, science, and technology.Among the major writers represented in this book are Gottfried Boehm, Michael Ann Holly, Jacqueline Lichtenstein, W. J. T. Mitchell, Marie-José Mondzain, Keith Moxey, Parul Dave Mukherji, Wolfram Pichler, Alex Potts, and Adrian Rifkin.
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Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts such as “image” and “picture” in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing.
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ContentsSeries PrefaceIntroductionJames ElkinsThe Seminars1 How Many Theories of Images Are There?2 What Is Outside Images3 Accounts of Images, and Accounts That Begin from Images4 Ontology5 Non-Western Accounts6 Public and Private7 Religion, Ritual, the Sacred8 Painting and Images 9 Image, Notation, Graph . . .AssessmentsPrefaceJames ElkinsFrederick M. Asher Michael Ann Holly Adrian Rifkin Frank VigneronKeith MoxeyHarry Cooper Parul Dave MukherjiThomas BaumeisterVivian SobchackAlex PottsKavita SinghPaul MessarisEmmanuel AlloaAud Sissel HoelEllen ChowXaq PitkowCrispin SartwellKlaus SpeidelAntonia PocockPaul WillemarckRuth SondereggerThomas Macho and Jasmin MersmannCiarán BensonChristoph LüthySebastian EgenhoferIrmgard EmmelhainzLadislav KesnerJohn Michael KroisKarin LeonhardFrancesco PeriFrederik StjernfeltRainer TotzkeMichael ZimmermannSunil ManghaniKlaus Sachs-HombachJosé Luis BreaAfterwordWolfram PichlerNotes on the ContributorsIndex
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What Is an Image? raises the stakes for writing in art history, visual studies, art theory, and art criticism by questioning one of the most fundamental terms of all, the image or picture. Topics include concepts such as image and picture in the West and outside it; the reception and rejection of semiotics; the question of what is outside the image; the question of whether images have a distinct nature or are products of discourse, like language; the relationship between images and religious meanings; and the study of non-art images in medicine, science, and technology.This is the most wide-ranging book on the concept of the image.
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Produktdetaljer

ISBN
9780271050645
Publisert
2011-12-15
Utgiver
Vendor
Pennsylvania State University Press
Vekt
839 gr
Høyde
254 mm
Bredde
178 mm
Dybde
27 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
296

Biographical note

James Elkins is Associate Professor in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago.

Maja Naef is an art historian and art critic based in Basel, Switzerland.