"<i>Well-Kept Ruins</i> is shaped by a yearning to recover the irrecuperable. Cixous is compelled to revisit the fates of these castaways. She is a daughter who attempts to commemorate a midwife; a writer who finds herself through the bond of mother and child. . . . Cixous’s book is a genealogy of exile."
The Spectator
"This welcome translation gives us a Cixous still energetically writing the self, and other selves—this time with imperative retrospect."
4columns
"To read Cixous here is to feel oneself pulled along, engulfed, really, amid a torrent of words, a cascade of sentences, as if one has drifted inside of a tumbling, beautiful, confusing, dream. A reader, too, must let go, must allow that we will not always know which of the book’s many voices are speaking, that we cannot always be sure where we are in time and space. The point was never to be so securely fastened, and anyway, such a condition is impossible, for Cixous at least."
Irish Times
"<i>Well-Kept Ruins</i> is at once a memoir, a history, and a work of philosophical theory — as [Cixous] seeks forms of writing to describe the embodied and inherited traumas of the 20th century."
On the Seawall
"One of Cixous’ imperatives is that writing should always act against finality, against death; now, with that most difficult and ungathered subject, she evokes that power."
Cleveland Review of Books
"Woven throughout is a meditation on the life of Cixous's mother and the ineffability of another's interior life and experience. . . Recommended."
Choice
"<i>Well-Kept Ruins</i> turns inward, toward the personal sense of a present wonderfully and terribly ruptured by the past."
The Nation