“This intriguing book guides the reader on a compelling journey around the physical and social milieu of Renaissance Venice. Its magisterial essays invite the viewer to take an imaginary walk through the city’s empty streets, as seen in Jacopo de’ Barbari’s celebrated bird's-eye view of 1500. The book guides us step-by-step from the map’s stunning artistic virtuosity into the cosmopolitan lives of the people who inhabited the fabric of the city.”

- Deborah Howard, Professor Emerita, University of Cambridge,

“<i>A View of Venice</i> offers an engaging consideration of the ideation, creation, historical significance, idiosyncrasies, and scholarly potential of Jacopo de’ Barbari’s <i>View</i>. A fascinating and valuable collection of research and analysis of de' Barbari’s remarkable print and of the Venice in which he lived and worked, this volume will greatly interest general readers and specialists alike.”

- Gary M. Radke, Professor Emeritus of Art History, Syracuse University,

"One of the most remarkable Venice books in decades, the kind of thorough and detailed study of a city caught in time that scholars can only dream about for most other hinge-points in history. De’ Barbari’s <i>View </i>cost the hefty sum of three florins, and as these scholars make clear, there were plenty of buyers for something that must have seemed borderline miraculous in an era before photography. <i>A View of Venice</i> is the definitive anatomy of that miracle."

- Steve Donoghue, Open Letters Review

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"Offering meaningful insights about the artists, residents, and visitors who interacted with one another and left indelible marks on the city, the research covers many aspects of the cultural, sociopolitical, and economic history of Venice. The studies in this collection make a compelling argument that the View encompassed reality and myth and that both facets affected art, architecture, and experience in Venice during the early modern period. Recommended. General readers through faculty; professionals."<br />  

- D. H. Cibelli, Choice

Jacopo de’ Barbari’s View of Venice, a woodcut first printed in the year 1500, presents a bird’s-eye portrait of Venice at its peak as an international hub of trade, art, and culture. An artistic and cartographic masterpiece of the Renaissance, the View depicts Venice as a vibrant, waterborne city interconnected by canals and bridges and filled with ornate buildings, elaborate gardens, and seafaring vessels. The contributors to A View of Venice: Portrait of a Renaissance City draw on a high-resolution digital scan of the over nine-foot-wide composite print to examine the complexities of this extraordinary woodcut and portrayal of early modern Venetian life. The essays show how the View constitutes an advanced material artifact of artistic, humanist, and scientific culture. They also outline the ways the print reveals information about the city’s economic and military power, religious and social infrastructures, and cosmopolitan residents. Featuring methodological advancements in the digital humanities, A View of Venice highlights the reality and myths of a topographically unique, mystical city and its place in the world. Contributors. Karen-edis Barzman, Andrea Bellieni, Patricia Fortini Brown, Valeria Cafà, Stanley Chojnacki, Tracy E. Cooper, Giada Damen, Julia A. DeLancey, Piero Falchetta, Ludovica Galeazzo, Maartje van Gelder, Jonathan Glixon, Richard Goy, Anna Christine Swartwood House, Kristin Love Huffman, Holly Hurlburt, Claire Judde de Larivière, Blake de Maria, Martina Massaro, Cosimo Monteleone, Monique O’Connell, Mary Pardo, Giorgio Tagliaferro, Saundra Weddle, Bronwen Wilson, Rangsook Yoon
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The contributors to A View of Venice draw on a high-resolution digital scan of Jacopo de’ Barbari’s woodcut View of Venice printed in the year 1500 to outline the ways it depicts the social, cultural, economic, and political realities of everyday Venetian life.
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List of Illustrations  xi Abbreviations  xvii Acknowledgments  xix Prologue. Story of the Edited Volume / Kristin Love Huffman and Andrea Bellieni  xxiii Plates  xxvii Introduction. The View as an Urban Portrait / Kristin Love Huffman  1 I. The View as a Printed Cartographic and Artistic Visualization 1. The View of Venice in a Genealogy of City Views and Government Mapping / Karen-edis Barzman  25 2. A City as a World: Jacopo de’ Barbari’s View in 1500 / Piero Falchetta  40 3. A Perspectival Investigation of Jacopo de’ Barbari’s View of Venice / Cosimo Monteleone  50 4. An Artist’s Address Book: Notes on Venice’s Artistic Geography / Giorgio Tagliaferro  62 5. Beyond Venice: At the Margins of the View / Anna Christine Swartwood House  75 6. Vessels of Political Communication / Monique O’Connell  86 7. Navigating the Business of Print in Venice with Jacopo de’ Barbari / Bronwen Wilson  96 8. On the Collection History of the View’s Matrices / Valeria Cafá  107 9. The Graphic Inventions of Jacopo de’ Barbari / Kristin Love Huffman  119 10. Revisiting “lontani et altra fantaxia”: An Eyckian Perspective on Giovanni Bellini and Jacopo de’ Barbari / Mary Pardo  136 11. Jacopo de’ Barbari, a Wandering Court Artist in the North: Changing Perspectives on His Role in Northern Renaissance Art / Rangsook Yoon  150 II. The View as a Reflection of Venice and Venetian Life 12. Toward the Perfect City: Urban Development in the Quattrocento / Richard Goy  163 13. The Wellhead as an Amenity of Venetian Urban Space / Patricia Fortini Brown  176 14. Hidden in Plain Sight (and Hearing): Venetian Bells and Their Towers / Jonathan Glixon  189 15. Santa Lucia and Corpus Domini at the Turn of the Sixteenth Century: The View and Urban Patterns / Saundra Weddle  199 16. Monastic and Convent Life as a City Phenomenon / Ludovica Galeazzo  212 17. Gendered Space(s) and the View / Holly Hurlburt  226 18. Wifely Mobility in Renaissance Venice / Stanley Chojnacki  238 19. Two Palaces, a Chapel, and an Art Collection on the Grand Canal: The World of Domenico di Piero in Jacopo de’ Barbari’s View of Venice / Giada Damen  250 20. Luxury Goods in Jacopo de’ Barbari’s Venice / Blake de Maria  260 21. “Both by Sea and Land”: Venetian Trade and Retail in the View / Julia A. DeLancey  273 22. Imagining Social and Political Relations in the View: From Piazza San Marco to Murano / Maartje van Gelder and Claire Judde de Larivière 23. Cosmopolitanism in Venice and State Strategies / Martina Massaro  295 Epilogue. Venice Lost, and Found / Tracy E. Cooper  307 Appendix 1. The View and Its Relevance Today: Venice Then and Now / Kristen Love Huffman  315 Appendix 2. Anton Kolb’s Copyright Permission and Export License Request for the View of Venice  336 Appendix 3. Will of Anton Kolb, October 12, 1541  338 Bibliography  341 Contributors  381 Index  391 Image Credits  409
Les mer
“This intriguing book guides the reader on a compelling journey around the physical and social milieu of Renaissance Venice. Its magisterial essays invite the viewer to take an imaginary walk through the city’s empty streets, as seen in Jacopo de’ Barbari’s celebrated bird's-eye view of 1500. The book guides us step-by-step from the map’s stunning artistic virtuosity into the cosmopolitan lives of the people who inhabited the fabric of the city.”
Les mer

Produktdetaljer

ISBN
9781478019176
Publisert
2024-01-23
Utgiver
Vendor
Duke University Press
Vekt
1315 gr
Høyde
254 mm
Bredde
178 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet

Biographical note

Kristin Love Huffman is an independent scholar of the art, architectural, and urban history of Renaissance Venice and coeditor of Visualizing Venice: Mapping and Modeling Time and Change in a City.