“This intriguing book guides the reader on a compelling journey around the physical and social milieu of Renaissance Venice. Its magisterial essays invite the viewer to take an imaginary walk through the city’s empty streets, as seen in Jacopo de’ Barbari’s celebrated bird's-eye view of 1500. The book guides us step-by-step from the map’s stunning artistic virtuosity into the cosmopolitan lives of the people who inhabited the fabric of the city.”
- Deborah Howard, Professor Emerita, University of Cambridge,
“<i>A View of Venice</i> offers an engaging consideration of the ideation, creation, historical significance, idiosyncrasies, and scholarly potential of Jacopo de’ Barbari’s <i>View</i>. A fascinating and valuable collection of research and analysis of de' Barbari’s remarkable print and of the Venice in which he lived and worked, this volume will greatly interest general readers and specialists alike.”
- Gary M. Radke, Professor Emeritus of Art History, Syracuse University,
"One of the most remarkable Venice books in decades, the kind of thorough and detailed study of a city caught in time that scholars can only dream about for most other hinge-points in history. De’ Barbari’s <i>View </i>cost the hefty sum of three florins, and as these scholars make clear, there were plenty of buyers for something that must have seemed borderline miraculous in an era before photography. <i>A View of Venice</i> is the definitive anatomy of that miracle."
- Steve Donoghue, Open Letters Review
"Offering meaningful insights about the artists, residents, and visitors who interacted with one another and left indelible marks on the city, the research covers many aspects of the cultural, sociopolitical, and economic history of Venice. The studies in this collection make a compelling argument that the View encompassed reality and myth and that both facets affected art, architecture, and experience in Venice during the early modern period. Recommended. General readers through faculty; professionals."<br />
- D. H. Cibelli, Choice