From the early Renaissance to the end of the eighteenth century, Venice held a central position in the global trade network. This book explores how artistic and cultural ideas originating in the Ottoman Empire arrived in Venice and were reinterpreted through the decorative arts, printed books, painting, drawing, and architecture. Featuring a richly diverse selection from the collections of the Musei Civici di Venezia, this volume showcases the creative contributions of well-known Venetian artists such as Vittore Carpaccio, Gentile Bellini, Michele Giambono, and Mariano Fortuny alongside works created by the best anonymous craftspeople both in Venice and the Ottoman Empire, including textiles, metalwork, armor, and ceramics. With newly researched essays by esteemed international scholars on topics such as trade routes, the involvement of international communities in Venice, diplomatic interactions, and military power dynamics, this important volume offers freshly reviewed and new perspectives on the intricate artistic relationship that existed between Venice and the Ottoman Empire.
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Accompanying a major traveling exhibition, this book examines the unique artistic and cultural exchange between the Republic of Venice and Turkish Ottoman culture and identity over a three-hundred-year period.
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Produktdetaljer

ISBN
9780847838790
Publisert
2024-10-29
Utgiver
Vendor
Rizzoli International Publications
Høyde
292 mm
Bredde
241 mm
Aldersnivå
UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
208

Forfatter

Biographical note

Stefano Carboni was the inaugural CEO of the Museums Commission of the Ministry of Culture of the Kingdom of Saudi Arabia (2019 23); director and CEO of the Art Gallery of Western Australia (2008 19); and curator and administrator in the Department of Islamic Art at the Metropolitan Museum of Art (1992 2008). He is adjunct professor at the University of Western Australia.