"Fascinating." Perspective “A fascinating, often funny, and eminently stylish personal memoir … I loved it.” - Chris Breward, author of The Suit “Wide-ranging, thought-provoking and important.” - Claire Wilcox, author of Patch Work Elizabeth Wilson is a pioneer of fashion studies, yet she never intended to become an academic. Starting her literary career as a feminist activist writing for the underground press, she went on to explore tennis, ‘bohemians’ and of course fashion – her obsession – along with forays into fiction. Throughout, she has never seen her work as abstract or disengaged from ‘real life’. In her memoir, she traces this relationship between personal experience and her writing, revisiting pivotal moments from childhood, adolescence and adult life to explore her belief that research, by its nature, is always a form of autobiography. She unfolds the garment of her life in a wide-ranging exploration of scenes from her past: her difficult relationship with her mother, fashion in the 60s and gay liberation. In this journey through time she shows how experiences are inseparable from the way we seek to explain and understand them, offering a unique and deeply personal account of her – and our – cultural world.
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List of Illustrations 1. Outside Looking In 2. First Came Reading 3. Researching My Life 4. Bodies in the Library 5. Dressing the Postwar Young Woman 6. Living the Bohemian Sixties 7. What Does a Lesbian Look Like? 8. Writing Feminism 9. Bad Decade 10. The Vulgar 11. Fashion as Fetish 12. Haunted Houses 13. Nostalgia Mode 14. Cracks in the Pavement 15. In Search of Lost Streets 16. A Visit to Rimini 17. Returning to Queens Club 18. Hedonism 19. Down There on a Visit References Index
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It’s impossible not to warm instantly to Elizabeth Wilson … Unfolding the Past is so packed with Wilson’s literary allusions, as well as her observations about life, sex, film and fashion over the centuries, it’s like dipping into the anecdotes of a clever salonnière, peopled with Djuna Barnes, Proust and Marlene Dietrich. Wilson weaves a memoir in which the uniting thread is how clothing trends reflect changing mores as well as creating new cultural norms … Freed from the “invisible cloak” of her childhood, Wilson’s fascinating text shows how fashion can be the opposite of frivolity. Ultimately, she says, it’s the “search for personal identity through aesthetic experience".
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Revisiting her work on fashion and mass culture to explore their roots in her own life and experience, the author uses memoir and autobiography to reveal a fascinating intellectual and emotional journey.
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Elizabeth Wilson explores the role fashionable dress played in her own life and how her feminist defence of fashion influenced and even transformed this field

Produktdetaljer

ISBN
9781350232594
Publisert
2022-05-05
Utgiver
Vendor
Bloomsbury Visual Arts
Høyde
216 mm
Bredde
138 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
296

Forfatter

Biographical note

Elizabeth Wilson is a pioneer in the development of fashion studies, and has been a university professor, feminist campaigner and activist. Her writing career began in the ‘underground’ magazines of the early 1970s, (Frendz, Red Rag, Spare Rib, Come Together) before she became an academic. She's written for the Guardian and her non-fiction books include Adorned in Dreams (1985, 2003), The Sphinx in the City (1992) (shortlisted for the Manchester Odd Fellows Prize), Bohemians (2000) and Love Game (2014) (long listed for the William Hill sportswriting prize), as well as six crime novels, including War Damage (2009) and The Girl in Berlin (2012) (long listed for the Golden Dagger Award).