Produktdetaljer
Biographical note
Timothy Billings is Professor of English and Comparative Literature at Middlebury College, where his expertise spans classical Chinese literature and Shakespeare. Billings has edited and translated three award-winning bilingual critical editions that draw upon Chinese sources: Victor Segalen’s Stèles / 古今碑錄 (with Christopher Bush), Matteo Ricci’s Essay on Friendship / 交友論: One Hundred Maxims for a Chinese Prince, and Ezra Pound’s Cathay / 耀. His work bridges the gap between Eastern and Western literary traditions and enriches the study and appreciation of classical Chinese poetry and its influence on global literature.A primer for those with no previous knowledge of Chinese, this book introduces readers to the fundamentals of classical Chinese poetry through twenty-nine ways of understanding a single poem. “Seeing Off a Friend,” by the great Tang poet Li Bai (701–762) has long been praised for its vividness, subtlety, and poignancy. Anthologizing twenty-nine translations of the poem, Timothy Billings not only introduces the poem’s richness and depth but also the nuanced art of translating Chinese poetry into European languages.
A famous exemplar of “seeing off poetry,” which was common in an empire whose literati were continually on the move, Li’s poem has continued to fascinate readers far removed from its moment of composition, from the Victorians, to Ezra Pound, to contemporary translators from around the world. In talking us through these linguistic crossings, Billings unpacks the intricacies of the lüshi or "regulated verse poem," a form as pivotal to Chinese literature as the sonnet is to European tradition.
This book promises to transform its readers, step-by-step, into adept interpreters of one of the most significant verse forms in Chinese literary history. Billings’s engaging teaching style, backed by a lightly worn but deep scholarly engagement with Chinese poetry, makes this work an indispensable guide for anyone interested in poetry, translation, or the cultural heritage of China.
Introduction | 1
1 “Taking Leave of a Friend,” Ezra Pound | 4
2 “A Farewell,” Herbert Giles | 8
3 送友人 (Seeing Off a Friend) | 12
4 Categorical Comparatives, with Wang Li | 16
5 “Sending Off (a) Friend(s)” | 20
6 “Le depart d’un ami,” Judith Gautier | 24
7 “Saying Good-Bye to a Friend,” Amy Lowell and Florence Ayscough | 28
8 “Adieu,” W. J. B. Fletcher | 32
9 “Valedicit amico,” Angelo Zottoli | 36
10 “Geleit,” Alfred Forke | 40
11 “Taking Leave of a Friend,” Obata Shigeyoshi | 44
12 “Je reconduis un ami,” Bruno Belpaire | 48
13 “Le chanson d’adieu,” Jean-Marie Guislain | 52
14 “Farewell to a Friend,” Henry Hart | 56
15 “A Farewell to a Friend,” Witter Bynner and Kiang Kang-hu | 62
16 “J’ai reconduit mon ami . . . ,” Tchou Kia Kien and Armand Gandon | 66
17 “Saying Farewell to a Friend,” Robert Payne | 72
18 語譯 (Paraphrase), Xu Zhengzhong | 76
Digression: Peng 蓬 vs. Peng 篷 | 82
19 “Farewell to a Friend,” Adet Lin | 86
20 “Taking Leave of a Friend,” Innes Herdan | 90
21 “Farewell to a Friend,” Xu Yuanchong | 94
22 “taking leaves (1),” “parting friend,” Harry Gilonis | 98
23 Tonal Balance: Ping 平 and Ze 仄 | 102
24 “Seeing Off a Friend,” Jonathan Stalling | 106
25 “Seeing Off a Friend,” Gregory Whincup | 110
26 “Seeing Off a Friend,” Edward Chang | 114
27 “Seeing Off a Friend,” Red Pine / Bill Porter | 118
28 Yinsong: In Song | 122
29 “Seeing Off a Friend,” Timothy Billings | 130
Epilogue: What’s in a Name? The Sonnet | 152
Acknowledgments | 163
Notes | 165
Credits | 177
References | 179