"<i>Travel & See</i> benefits from a retrospective gaze; Mercer’s 30-year career gives him a judicious distance on some highly charged aesthetic movements and issues.... Mercer’s volume ... does not simply collect his past writings; it forces us to see international modernism in a way that has implications for future scholarship both within and beyond the field of black diasporic art. <i>Travel & See </i>posits Mercer as a chronicler not only of the field of contemporary art of the Afro-modern world, but of the inextricable ties of black diasporic and modernism itself."

- Sarah Lewis, Art in America

"<i>Travel & See</i> is an essential addition to any art historian’s library.... With <i>Travel & See</i>, Mercer further establishes himself as a leading figure in the field while also modeling the type of work that still needs to be done. The volume shows how Mercer’s writing redefined contemporary art history just as much as it shows how black diaspora artists changed contemporary art."

- Uchenna Itam, Shift

"Mercer's optimistic spirit encourages the reader to dare to travel in space and time in order to see better."

- Maureen Murphy, Critique d'art

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"Subtleties of thought and elegance of expression are characteristic of Mercer's writings, read avidly by those art historians who have sought insight into Black British Cultural Studies, increasingly influential over the last thirty years. Mercer's essays offer a welcome contrast to art‐historical scholarship aimed at the specialist, and also to criticism on the contemporary arts of the African and Asian diasporas."

- Amna Malik, Art History

Over the years, Kobena Mercer has critically illuminated the visual innovations of African American and black British artists. In Travel & See he presents a diasporic model of criticism that gives close attention to aesthetic strategies while tracing the shifting political and cultural contexts in which black visual art circulates. In eighteen essays, which cover the period from 1992 to 2012 and discuss such leading artists as Isaac Julien, Renée Green, Kerry James Marshall, and Yinka Shonibare, Mercer provides nothing less than a counternarrative of global contemporary art that reveals how the “dialogical principle” of cross-cultural interaction not only has transformed commonplace perceptions of blackness today but challenges us to rethink the entangled history of modernism as well.  
Les mer
In this set of essays that cover the period from 1992 to 2012, Kobena Mercer uses a diasporic model of criticism to analyze the cross-cultural aesthetic practice of African American and black British artists and to show how their refiguring of visual representations of blackness transform perceptions of race. 
Les mer
List of Illustrations  ix Acknowledgments  xiii Introduction  1 Part I. Art's Critique of Representation  37 1. The Fragile Inheritors  39 2. Busy in the Ruins of Wretched Phantasia  50 Part II. Differential Proliferations  87 3. Marronage of the Wandering Eye: Keith Piper  89 4. Mortal Coil: Eros and Diaspora in the Photographs of Rotimi Fani-Kayode  97 5. Avid Iconographies: Isaac Julien  129 6. Art That Is Ethnic is Inverted Commas: Yinka Shonibare  147 Part III. Global Modernities  155 7. Home from Home: Portraits from Places in Between  157 8. African Photography in Contemporary Visual Culture  170 9. Ethnicity and Internationality: New British Art and Diaspora-Based Blackness  186 10. Documenta  11  207 Part IV. Detours and Returns  215 11. A Sociography of Diaspora  217 12. Diaspora Aesthetics and Visual Culture  227 13. Art History after Globalization: Formations of the Colonial Modern  248 14. The Cross-Cultural and the Contemporary  262 Part V. Journeying  277 15. Postcolonial Trauerspiel: Black Audio Film Collective  279 16. Archive and Dépaysement in the Art of Renée Green  294 17. Kerry James Marshall: The Painter of Afro-Modern Life  310 18. Hew Locke's Postcolonial Baroque  321 Bibliography  347 Index  357
Les mer
"Travel & See benefits from a retrospective gaze; Mercer’s 30-year career gives him a judicious distance on some highly charged aesthetic movements and issues.... Mercer’s volume ... does not simply collect his past writings; it forces us to see international modernism in a way that has implications for future scholarship both within and beyond the field of black diasporic art. Travel & See posits Mercer as a chronicler not only of the field of contemporary art of the Afro-modern world, but of the inextricable ties of black diasporic and modernism itself."
Les mer
"Kobena Mercer's work here is no less than a discourse on the transformation from multiculturalism to globalization. Beautifully marrying theoretical framings through psychoanalysis, sociology, and cultural studies with close readings of specific artists and objects, Mercer offers amazing materialist definitions of diaspora that readers will be mining for years to come. A phenomenal book, Travel & See will be incredibly useful to seasoned and new scholars alike." 
Les mer

Produktdetaljer

ISBN
9780822360940
Publisert
2016-04-29
Utgiver
Vendor
Duke University Press
Vekt
862 gr
Høyde
229 mm
Bredde
178 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet

Forfatter

Biographical note

Kobena Mercer is Professor of History of Art and African American Studies at Yale University. He is author of Welcome to the Jungle: New Positions in Black Cultural Studies, editor of Cosmopolitan Modernisms, among other titles, and an inaugural recipient of the 2006 Clark Prize for Excellence in Arts Writing.