This is a comprehensive study of the impact of censorship on theatre in twentieth-century Spain, analysing changes in censorship from the Second Republic to the post-Franco transition to democracy, and illuminating the ideological underpinnings, the effects on the industry and the responses of theatremakers.

Acknowledgements List of illustrations List of abbreviations Introduction 1. The Evolution of Theatre Censorship in Spain from the 1830s to the 1930s 2. Un teatro de ida y vuelta: All Change and No Change in the Second Republic and the Civil War Case Study: Santa Teresita del Niño Jesús, by Vicente Mena Pérez 3. The Franco Dictatorship: Censorship as ‘Propaganda’, ‘Education’ and ‘Information’ Case Study: La casa de Bernarda Alba, by Federico García Lorca 4. The Pervasiveness of Censorship during the Dictatorship: Right-Wing Triumphalism, Commercial Theatre, Revistas and Catalan Theatre Case Study: La Infanzona, by Jacinto Benavente 5. The Realist Generation: A Spotlight on the Margins of Society Case Study: Escuadra hacia la muerte, by Alfonso Sastre 6. Experimental, Avant-Garde and Independent Theatre: Pushing the Boundaries Case Study: Castañuela 70, by Tábano and Las Madres del Cordero 7. The Censorship of Foreign Theatre: From Taming the Text to Disruptive Drama Case Study: El círculo de tiza caucasiano, by Bertolt Brecht 8. Dénouement: Dismantling the Apparatus during the Transition to Democracy Case Study: La torna, by Els Joglars/Albert Boadella Conclusion Bibliography: Archival sources Legislation Other sources Index