'This landmark contribution to Australian literary studies is the first collection of critical responses to the work of one of our most important novelists, Thea Astley. As well as essays from leading Australian and international critics, dating from 1967 to the present, it includes three essays by Astley herself, a major interview with her and the first Thea Astley lecture, given by Kate Grenville in 2005.' Professor Elizabeth WebbySydney University

This second edition includes an updated bibliography."Astley's signature is a highly allusive, layered and self-conscious prose style, non-linear and open-ended" (Gillian Whitlock, JASAL: Journal of Association for the Study of Australian Literature, 6, 2007, p. 154.)"The essays offer insights into issues of language, art, gender and religion ... as well as Astley's evolving body of writing and the historical and literary context of her work" (Lyn Jacobs, Australian Literary Studies v.23, n.3, 2008, p.358).
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This second edition includes an updated bibliography. "Astley's signature is a highly allusive, layered and self-conscious prose style, non-linear and open-ended" (Gillian Whitlock, JASAL: Journal of Association for the Study of Australian Literature, 6, 2007, p. 154.)
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Produktdetaljer

ISBN
9781847188052
Publisert
2008-11-26
Utgave
2. utgave
Utgiver
Vendor
Cambridge Scholars Publishing
Høyde
212 mm
Bredde
148 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
222

Biographical note

Paul Genoni is a Senior Lecturer with the Faculty of Media, Society and Culture at Curtin University of Technology. He has a PhD in Australian literature from the University of Western Australia and is author of Subverting the Empire: Explorers and Exploration in Australian Fiction (2004).Susan Sheridan is Adjunct Professor of Women’s Studies and English at Flinders University in Adelaide, and a Fellow of the Australian Academy of the Humanities. She has published extensively in feminist studies and Australian cultural history, her books including Christina Stead (1988), Along the Faultlines: Sex, Race and Nation in Australian Women’s Writing, 1880s to 1930s (1995) and Who Was That Woman? The Australian Women’s Weekly in the Postwar Years (2002).