'Nagy's adaptation is dreamlike; scenes blur, and the players in Ripley's psychotic game - all of them, as far as he's concerned, dispensable - loom like grotesque caricatures.' Sam Marlowe, The Times, 22.9.10 'it often feels as if there is a tension in Phyllis Nagy's hugely intelligent adaptation between the mechanics of murder and the metaphysics.' Lyn Gardner, Guardian, 23.9.10 'The play [...] is cunningly planned, with details accruing until we realise taht the whole thing is taking place in Ripley's mind's eye.' Maxie Szalwinska, Sunday Times, 3.10.10
Bloomsbury Methuen Drama’s Screen and Cinema series features a selection of some of the most popular screenplays of recent years, including works by Stephen Poliakoff and Anthony Minghella.
Students of Literature and Film Studies will also find plenty of material to support their courses in the range of Screen Adaptations titles, each of which examines the various screen versions of one of Shakespeare’s plays. Including excerpts from the literary text, screenplays and shooting scripts, each title in this series considers how the original text is adapted for the screen and how adaptations have changed our reading of the original work.