'Nagy's adaptation is dreamlike; scenes blur, and the players in Ripley's psychotic game - all of them, as far as he's concerned, dispensable - loom like grotesque caricatures.' Sam Marlowe, The Times, 22.9.10 'it often feels as if there is a tension in Phyllis Nagy's hugely intelligent adaptation between the mechanics of murder and the metaphysics.' Lyn Gardner, Guardian, 23.9.10 'The play [...] is cunningly planned, with details accruing until we realise taht the whole thing is taking place in Ripley's mind's eye.' Maxie Szalwinska, Sunday Times, 3.10.10
The first stage adaptation of Patricia Highsmith's famous crime novelTom Ripley is a criminal with an ambiguous past. He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)
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This is the text of the play by Phyllis Nagy, "The Talented Mr Ripley", written in the 1990s.
'Nagy's adaptation is dreamlike; scenes blur, and the players in Ripley's psychotic game - all of them, as far as he's concerned, dispensable - loom like grotesque caricatures.' Sam Marlowe, The Times, 22.9.10 'it often feels as if there is a tension in Phyllis Nagy's hugely intelligent adaptation between the mechanics of murder and the metaphysics.' Lyn Gardner, Guardian, 23.9.10 'The play [...] is cunningly planned, with details accruing until we realise taht the whole thing is taking place in Ripley's mind's eye.' Maxie Szalwinska, Sunday Times, 3.10.10
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This is the text of the play by Phyllis Nagy, "The Talented Mr Ripley", written in the 1990s.
Bloomsbury Methuen Drama’s Screen and Cinema series features a selection of some of the most popular screenplays of recent years, including works by Stephen Poliakoff and Anthony Minghella.
Students of Literature and Film Studies will also find plenty of material to support their courses in the range of Screen Adaptations titles, each of which examines the various screen versions of one of Shakespeare’s plays. Including excerpts from the literary text, screenplays and shooting scripts, each title in this series considers how the original text is adapted for the screen and how adaptations have changed our reading of the original work.
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Produktdetaljer
ISBN
9780413732200
Publisert
1999-02-08
Utgiver
Vendor
Methuen Drama
Vekt
214 gr
Høyde
198 mm
Bredde
129 mm
Aldersnivå
G, U, 01, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
112