'Nagy's adaptation is dreamlike; scenes blur, and the players in Ripley's psychotic game - all of them, as far as he's concerned, dispensable - loom like grotesque caricatures.' Sam Marlowe, The Times, 22.9.10 'it often feels as if there is a tension in Phyllis Nagy's hugely intelligent adaptation between the mechanics of murder and the metaphysics.' Lyn Gardner, Guardian, 23.9.10 'The play [...] is cunningly planned, with details accruing until we realise taht the whole thing is taking place in Ripley's mind's eye.' Maxie Szalwinska, Sunday Times, 3.10.10

The first stage adaptation of Patricia Highsmith's famous crime novelTom Ripley is a criminal with an ambiguous past. He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)
Les mer
This is the text of the play by Phyllis Nagy, "The Talented Mr Ripley", written in the 1990s.
'Nagy's adaptation is dreamlike; scenes blur, and the players in Ripley's psychotic game - all of them, as far as he's concerned, dispensable - loom like grotesque caricatures.' Sam Marlowe, The Times, 22.9.10 'it often feels as if there is a tension in Phyllis Nagy's hugely intelligent adaptation between the mechanics of murder and the metaphysics.' Lyn Gardner, Guardian, 23.9.10 'The play [...] is cunningly planned, with details accruing until we realise taht the whole thing is taking place in Ripley's mind's eye.' Maxie Szalwinska, Sunday Times, 3.10.10
Les mer
This is the text of the play by Phyllis Nagy, "The Talented Mr Ripley", written in the 1990s.
Bloomsbury Methuen Drama’s Screen and Cinema series features a selection of some of the most popular screenplays of recent years, including works by Stephen Poliakoff and Anthony Minghella. Students of Literature and Film Studies will also find plenty of material to support their courses in the range of Screen Adaptations titles, each of which examines the various screen versions of one of Shakespeare’s plays. Including excerpts from the literary text, screenplays and shooting scripts, each title in this series considers how the original text is adapted for the screen and how adaptations have changed our reading of the original work.
Les mer

Produktdetaljer

ISBN
9780413732200
Publisert
1999-02-08
Utgiver
Vendor
Methuen Drama
Vekt
214 gr
Høyde
198 mm
Bredde
129 mm
Aldersnivå
G, U, 01, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
112

Biographical note

Patricia Highsmith was born in Fort Worth, Texas, in 1921. Her first novel, Strangers On A Train, was made into a film by Alfred Hitchcock in 1951. The Talented Mr Ripley, published in 1955, was awarded the Edgar Allan Poe Scroll by the Mystery Writers of America and introduced the fascinating anti-hero Tom Ripley, who was to appear in many of her later crime novels. Patricia Highsmith died in Locarno, Switzerland, in February 1995. Her last novel, Small g: A Summer Idyll, was published posthumously just over a month later. Phyllis Nagy was born in New York City and has lived in London since 1992. Her plays, including Weldon Rising, Butterfly Kiss, Disappeared and The Strip, have been produced throughout the world and have received awards including the Writers' Guild of Great Britain Award, a Mobil Prize, a Susan Smith Blackburn Prize, the Eileen Anderson/Central Television Award, two National Endowment for the Arts Fellowships and a McKnight Foundation Fellowship. Phyllis is currently under commission to the Royal Shakespeare Company, Nottingham Playhouse and the Royal Court Theatre, where she was recently writer-in-residence. She has adapted Patricia Highsmith's The Talented Mr Ripley for the Watford Palace Theatre while Never Land, opened at the Royal Court Theatre in January 1998, while her version of Chekov's The Seagull was produced at Chichester Festival Theatre in the summer of 2003.