"Against the backdrop of governmental and social unrest, a group of young architects and artists forges a politically resonant design movement. It could be a narrative of today, but the contingent in question is the subject of 'SuperDesign.'" —Elle Decor "Today’s resurgence of maximalism–an eclectic mix of patterns, materials, colors, shapes, and textures–speaks to a desire to break from imposing authority. It’s rooted in similar sentiments to Italian radicals and is materializing in a similar way aesthetically.... that [Italian radicals] remain relevant, somehow, speaks to the power of designers to process the sentiment of a time and give us something beautiful to behold, and, hopefully contemplate." —Fast Co.Design
Produktdetaljer
Biographical note
Maria Cristina Diderois an independent curator and freelance journalist whose writing appears in Domus,Vogue Italia, and other design publications.Based in Milan, she works internationally; she has curated numerous exhibitions in Italy and abroad, and contributed to several publications.Evan Snyderman is a collector, curator, and cofounder of the design gallery R & Company in New York City. He has contributed to multiple publications, including monographs on designers Wendell Castle, Cees Braakman, Greta Magnusson Grossman, Poul Kjaerholm, Renate Müller, Jeff Zimmerman, and The Haas Brothers.
Deyan Sudjic is the director of the Design Museum, London. He is the author of numerous books on architecture and design, including The Language of Things and The Edifice Complex, and most recently, The Language of Cities.
Catharine Rossi is a senior lecturer in Design History at Kingston University, London. She is a specialist in Italian design, author of Crafting Design in Italy: From Post-war to Postmodernism, and co-curator of Radical Disco: Architecture and Nightlife in Italy, 1965–1975 at the Institute of Contemporary Arts, London.