<p>"Michael marries the worlds of film theory and larger popular culture critique in a way that is both deeply analytical and approachable for anyone interested in the majesty of <i>Spider-Man: Into the Spider-Verse</i>. His gradual unfolding of Miles Morales's debut film covers the vast complexities of its narrative and construction, from the animation to the racial politics at play, that offer a way for future superhero films to appeal to a youthful demographic that sees Miles Morales as "our Spider-Man". Michael takes a leap of faith with this work, and it is one that pays off handsomely by the volume's end."</p><p><i> - </i><b>Marcus Haynes</b>, PhD, Georgia Gwinnett College, Author of YA novel <i>The Orange Scepter</i></p>
Produktdetaljer
Biographical note
Charlie Michael is Assistant Professor in the Department of Film and Media at Emory University. His research focuses on popular culture and media industries in a global context. He is the author of French Blockbusters: Cultural Politics of a Transnational Cinema (2019) and the co-editor of the Directory of World Cinema: France (2013), and his work has also appeared in journals such as SubStance, Transnational Screens, and The Velvet Light Trap.