Sounding Out the State of Indonesian Music showcases the breadth and complexity of the music of Indonesia. By bringing together chapters on the merging of Batak musical preferences and popular music aesthetics; the vernacular cosmopolitanism of a Balinese rock band; the burgeoning underground noise scene; the growing interest in kroncong in the United States; and what is included and excluded on Indonesian media, editors Andrew McGraw and Christopher J. Miller expand the scope of Indonesian music studies. Essays analyzing the perception of decline among gamelan musicians in Central Java; changes in performing arts patronage in Bali; how gamelan communities form between Bali and North America; and reflecting on the "refusion" of American mathcore and Balinese gamelan offer new perspectives on more familiar topics.

Sounding Out the State of Indonesian Music calls for a new paradigm in popular music studies, grapples with the imperative to decolonialize, and recognizes the field's grounding in diverse forms of practice.

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Introduction, by Andrew McGraw and Christopher J. Miller
Part I: Musical Communities
1. Harmonic Egalitarianism in Toba Palm Wine Stands and Studios, by Julia Byl
2. The Evolution of Performing Arts Patronage in Bali, Indonesia, by I Nyoman Catra
3. Beyond the Banjar: Community, Education, and Gamelan in North America, by Elizabeth A. Clendinning
4. Decline and Promise: Observations from a Present-Day Pangrawit, by Darsono Hadiraharjo and Maho A. Ishiguro
Part II: Music, Religion, and Civil Society
5. Singing "Naked" Verses: Interactive Intimacies and Islamic Moralities in Saluang Performances in West Sumatra, by Jennifer Fraser
6. From Texts to Invocation: Wayang Puppet Play from the North Coast of Java, by Sumarsam
7. The Politicization of Religious Melody in the Indonesian Culture Wars of 2017, by Anne K. Rasmussen
Part III: Popular Musics and Media
8. The Vernacular Cosmopolitanism of an Indonesian Rock Band: Navicula's Creative and Activist Pathways, by Rebekah E. Moore
9. Keroncong in the United States, by Danis Sugiyanto
10. Reformasi-Era Popular Music Studies: Reflections of an Anti-Anti-Essentialist, by Jeremy Wallach
11. Indonesian Regional Music on VCD: Inclusion, Exclusion, Fusion, by Philip Yampolsky
Part IV: Sound Beyond and As Music
12. A Radical Story of Noise Music from Indonesia, by Dimitri della Faille and Cedrik Fermont
13. Audible Knowledge: Exploring Sound in Indonesian Musik Kontemporer, by Christopher J. Miller
Part V: Music, Gender, and Sexuality
14. "Even Stronger Yet!": Gender and Embodiment in Balinese Youth Arja, by Bethany J. Collier
15. A Prolegomenon to Female Rampak Kendang (Choreographed Group Drumming) in West Java, by Henry Spiller
16. Approaching the Magnetic Power of Femaleness through Cross-Gender Dance Performance in Malang, East Java, by Christina Sunardi
Part VI: Perspectives from Practice
17. Nines on Teaching Beginning Gamelan, by Jody Diamond
18. "Fix Your Face": Performing Attitudes Between Mathcore and Beleganjur, by I Putu Tangkas Hiranmayena
19. Wanbayaning: Voicing a Transcultural Islamic Feminist Exegesis, by Jessica Kenney
Contributors
Index

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This book shines new light on today's Indonesian music scenes, bringing together ideas and writing from some of the most productive and engaged scholars working in the field. A valuable, go-to collection for ethnomusicologists interested in Indonesia and the world.

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Produktdetaljer

ISBN
9781501765223
Publisert
2022-10-15
Utgiver
Vendor
Southeast Asia Program Publications, Cornell University
Vekt
907 gr
Høyde
229 mm
Bredde
152 mm
Dybde
24 mm
Aldersnivå
01, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet

Biographical note

Andrew McGraw is Associate Professor of Music at the University of Richmond. He is the author of Radical Traditions.
Christopher J. Miller is Senior Lecturer in the Department of Music at Cornell University. His essays have appeared in several volumes, including Producing Indonesia.