Peter Bradshaw, The Guardian; Ingmar Bergman’s work was often erotic, even, or especially, when sex was not the ostensible subject matter. There is a stark sensuality and fascination in some of the bleakest situations; aneros to go with the thanatos. But the recently discovered screenplay "Sixty-Four Minutes With Rebecka" – which Bergman evidently intended to retitle "The White Wall" and make as an English-language movie, forming his part of a tripartite collaboration with Federico Fellini and Akira Kurosawa – really is notably sexy, even if the sexiness is coloured by his distinctive anxiety, self-inspection, self-reproach, and intimate marital anguish. For Bergman, like Socrates, the unexamined sexual life was not worth living. Sixty-Four Minutes With Rebecka, written by the 51-year-old Bergman, promises to be intriguing.