This wide-ranging collection reflects on the various motivations that caused the Folio to come into being in 1623, 7 years after Shakespeare’s death, and on how the now iconic book has been continually reimagined after its initial publication to the present day. In honour of its original publication, Shakespeare’s First Folio 1623-2023: Text and Afterlives brings together a remarkable set of ground-breaking essays by an international group of scholars. From the beginning, the publication that came to be called the ‘First Folio’ was defined by the tension between the book as text and the book as a material object. In this volume, the individual contributions move between these two meaningsin that they consider precursors to the First Folio in the form of reader-assembled volumes; the poetic identity of Shakespeare; and how misfortunes and successes in the early modern printing house shaped Shakespeare’s text. Chapters examine the unpredictable and often surprising subsequent histories of the book that has even been given a sacred status and become the basis of Shakespeare’s unique position in the history of literature. They consider: the afterlife of the text, in relation to the reception of Shakespeare’s First Folio in Spain; its presence in and influence on James Joyce’s Ulysses; the role that Meisei University of Japan’s Shakespeare Collection has played in the education and research of the institution; and what the collection of 82 copies at the Folger Shakespeare Library in Washington, DC, tells us about the ongoing role of these books within the study of Shakespeare and the early modern period.
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List of IllustrationsNotes on ContributorsAcknowledgementsA Note on Texts‘To Think These Trifles Some-Thing’: Introduction, Matthias Bauer and Angelika Zirker (University of Tübingen, Germany)1. Alternative Collections: Shakespeare Beyond the First Folio, Ben Higgins (University of Oxford, UK)2. ‘All His Comedies, Histories and Tragedies’: The (In)complete Works of Shakespeare, David Scott Kastan (Yale University, USA) 3. First Folio Blunders in Picture, Poems and Plays, Tiffany Stern (University of Birmingham, UK) 4. The First Folio as a Sacred Text, Matthias Bauer and Angelika Zirker (University of Tübingen, Germany)5. ‘The Famous Scenicke Poet’: Ben Jonson, Hugh Holland and Poetic Identity in the First Folio, Tom Cook (University of Birmingham, UK)6. ‘The Folio of This World’: Creation and Literary Heritage in Ulysses, Claudia Olk (Ludwig Maximilian University of Munich, Germany)7. The First Folio in Spain: The Gondomar Case, Jennifer Ruiz-Morgan (University of Extremadura, Spain)8. On the Meisei First Folios, Noriko Sumimoto (Meisei University, Japan)9. To Particularize Their Abundance: The Folger First Folios Studied and Shared as a Collection, Greg Prickman (Folger Shakespeare Library, USA)10. Afterword, Emma Smith (University of Oxford, UK)BibliographyIndex
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Examines the reasons why the Folio came into being in 1623, seven years after Shakespeare’s death, and how the now iconic book has been continually reimagined after its initial publication to the present day.
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Features original chapters written to commemorate the 400th anniversary in 2023

Produktdetaljer

ISBN
9781350436367
Publisert
2024-09-05
Utgiver
Vendor
The Arden Shakespeare
Høyde
216 mm
Bredde
138 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
256

Biographical note

Matthias Bauer is Professor of English Philology at the University of Tübingen, Germany and specializes in early modern literature, with a particular focus on Shakespeare and Metaphysical Poetry. With Angelika Zirker he co-chairs a project, funded by the German National Research Foundation, on 'Co-Creativity in Early Modern English Literature.'

Angelika Zirker is Associate Professor of English Literature at the University of Tübingen, Germany. Her publications include William Shakespeare and John Donne: Stages of the Soul in Early Modern English Poetry (2019), and she is the co-editor, with Matthias Bauer, of Connotations: A Journal for Critical Debate.