List of Figures Notes on Contributors Series Preface Acknowledgments Introduction Isabel Karremann (University of Zurich, Switzerland) 1 Space / Mobility Networks of Exchange: Spaces around and between in Shakespeare’s King Henry IV plays Julie Sanders (Royal Holloway, University of London, UK) 2 Space / Geopoetics ‘Upon the crown o’the cliff’: Shakespeare’s Poetic Geomorphologies Johannes Riquet (Tampere University, Finland) 3 Space / Memory Place and Memory in Shakespeare’s Second Tetralogy Jonathan Baldo (University of Rochester, USA) 4 Space / Time Shakespeare and the Fullness of Messianic Time: The Comedy of Errors Margaret Tudeau-Clayton (University of Neuchâtel, Switzerland) 5 Space / Religion Shakespearean Roads to Redemption from The Two Gentlemen of Verona to The Two Noble Kinsmen Ina Habermann (University of Basel, Switzerland) 6 Space / Supernatural The Demonic Environments of Hamlet and King Lear Mary Floyd-Wilson (University of North Carolina at Chapel Hill, USA) 7 Space / Emotion Keeping Corners: Emotional and Spatial Confinement in Othello Katharine A. Craik (Oxford Brookes University, UK) 8 Space / Race Shakespeare’s Sharp White Backgrounds Andrew Bozio (Skidmore College, USA) 9 Space / Rhetoric Move your hearts to pity”: Affective and Kinetic Rhetoric in Richard III Jennifer Vaught (University of Louisiana at Lafayette, USA) 10 Space / Language Spaced out in Rome: Coriolanus and Social Space James Siemon (Boston University, USA) 11 Space / Text The Spaces of Commonplacing Beatrice Montedoro (University of Zurich, Switzerland) 12 Space / Translation Metamorphosing the Semiosphere: Shakespeare and the Inns of Court Andreas Mahler (Freie Universität Berlin, Germany) 13 Space / Film The Ecocinematic Sublime in Adaptations of King Lear Todd Andrew Borlik (University of Huddersfield, UK) 14 Space / Digital Designing Spatial Metaphors in Made-for-digital Macbeths Pascale Aebischer (University of Exeter, UK) Select Bibliography Index

Introduces new concepts of ‘space’ to early modern studies and develops them further through intersections with other categories of Shakespeare criticism, such as time, memory, race, gender, emotion, cognition, embodiment, rhetoric, language, translation, religion and the supernatural

Published in association with the London Shakespeare Centre at King’s College London, this series sets the future agenda for Shakespeare research and criticism. Each edited volume examines a Shakespearean intersection that has been chosen to encourage inventive reflections, suggestions for future directions for the field and critical engagements of a broad interdisciplinary nature.