List of IllustrationsNotes on ContributorsSeries PrefaceAcknowledgementsIntroduction: Skin DeepRuben Espinosa (Arizona State University, USA)Chapter 1: Möbius Skin: Dermal History in the Early Modern Age Craig Koslofsky (University of Illinois, Urbana-Champaign, USA) and Sachini Seneviratne (Postgraduate Institute of English of the Open University of Sri Lanka)Chapter 2: ‘My fleece of woolly hair’: Animals and Race in Shakespeare’s Plays Karen Raber (University of Mississippi, USA and Shakespeare Association of America)Chapter 3: ‘You May Look Pale’: Whiteness and Love Melancholia in Love’s Labour’s LostDarryl Chalk (University of Southern Queensland, Australia)Chapter 4: Hermione’s Wrinkles Mario DiGangi (CUNY Graduate Center, USA)Chapter 5: Shakespeare and Postcolonial Theory: Incidental Shakespeares and Everyday life in the films of Satyajit Ray Amrita Sen (University of Calcutta, India)Chapter 6: From Hatred to a Utopia: Making the Invisible Visible on the Skin in Miyagi Satoshi’s A Midsummer Night’s Dream Boram Choi (Korea University of Arts)Chapter 7: Shakespeare and la Herida Abierta: Twin Skin, Colonial Wounds, and the Cicatrix Poetics of Borderlands Theater Katherine Gillen (Texas A&M University–San Antonio, USA)Chapter 8: The Skin of Our Voices: Mendoza or Shakespeare Retold by Los Colochos Alfredo Michel Modenessi (National University of Mexico)Chapter 9: Skin/Pedagogy Wendy Lennon (Shakespeare Institute, UK) Chapter 10: Artisans of the Skin: Recipe Studies and Race-Making in Shakespearean Skincrafts Jennifer Park (University of Glasgow, UK)Chapter 11: Legible Bodies, Implicated Subjects, and the Call for Justice: Reflections on Titus AndronicusSandra Young (University of Cape Town, South Africa)Chapter 12: Caliban’s Skin, Racial Hinges, and Anti-Racist Kin Bernadette Andrea (University of California, Santa Barbara, USA)Chapter 13: Shakespeare/Skin: Indigenous Theoretical Response Bethany Hughes, Tara Moses, Mary Kathryn Nagle and Madeline Sayet in DialogueBibliographyIndex

Offering a comprehensive array of readings of 'skin' - a term that embraces the human and animal - in Shakespeare's works, this collection provides a wide range of methodological approaches grounded in antiracist practice.

Published in association with the London Shakespeare Centre at King’s College London, this series sets the future agenda for Shakespeare research and criticism. Each edited volume examines a Shakespearean intersection that has been chosen to encourage inventive reflections, suggestions for future directions for the field and critical engagements of a broad interdisciplinary nature.