An outstanding account of the history of the company which actually helped to create Shakespeare … [the book’s] careful analysis of the available evidence as well as its broader commentary on the practices and decisions which sustained the company’s fortunes are to be applauded.

The Review of English Studies

An incisive, engaging, imaginative, and accessible book that deserves a place on the bookshelves and reading lists of all Shakespeare scholars … [a] lucid study which manages the rare feat of offering a clear and detailed introduction to a historically significant topic while also breaking new ground in its analysis and approach.

Early Theatre

Munro’s meticulous archival research has allowed her to piece together an often conjectural but fascinating account of the King’s Men … It is as much Munro’s delicious turn of phrase as the detail she excavates from her reading that brings to life these long-forgotten players.

Shakespeare Survey

Created when James I granted royal patronage to the former Chamberlain’s Men in 1603, the King’s Men were the first playing company to exercise a transformative influence on Shakespeare’s plays. Not only did Shakespeare write his plays with them in mind, but they were also the first group to revive his plays, and the first to have them revised, either by Shakespeare himself or by other dramatists after his retirement. Drawing on theatre history, performance studies, cultural history and book history, Shakespeare in the Theatre: The King’s Men reappraises the company as theatre artists, analysing in detail the performance practices, cultural contexts and political pressures that helped to shape and reshape Shakespeare’s plays between 1603 and 1642. Reconsidering casting and acting styles, staging and playing venues, audience response, influence and popularity, and local, national and international politics, the book presents case-studies of performances of Macbeth, The Tempest, The Winter’s Tale, Richard II, Henry VIII, Othello and Pericles alongside a broader reappraisal of the repertory of the company and the place of Shakespeare’s plays within it.
Les mer
Introduction: Playing the Court, 1604-5; Chapter 1: Actors and Roles; Interlude: Playing the Court, 1612-13;Chapter 2: Your Dear Delight: Shakespeare and the Merry Devil; Interlude: Playing the Court, 1622-5; Chapter 3: Richard II, Henry VIII and the Politics of Playing;Interlude: Playing the Court, 1633-4;Chapter 4: Othello and The Alchemist at Oxford and Beyond; Interlude: Playing the Court, 1636-7; Chapter 5: Pericles and Playgoing;Coda: Shakespeare and the King’s Men, 1642-1662; Select Bibliography;Notes;Index
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An introduction to and reappraisal of the King’s Men, the first company to perform and revive some of Shakespeare’s most important plays.
An introduction to the company of actors for whom Shakespeare wrote
Each volume in the Shakespeare in the Theatre series examines a director or theatre company who has made a significant contribution to Shakespeare production and the aesthetic and socio-political contexts of their work.Pointing to the range of people, artistic practices and cultural phenomena that make meaning in the theatre, the series de-centres Shakespeare from within Shakespeare studies, and provides an unrivalled way of perceiving the performance of his work.
Les mer

Produktdetaljer

ISBN
9781474262590
Publisert
2021-10-21
Utgiver
Vendor
The Arden Shakespeare
Vekt
263 gr
Høyde
198 mm
Bredde
129 mm
Aldersnivå
P, U, 06, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
272

Forfatter

Biographical note

Lucy Munro is a lecturer in Shakespeare and Early Modern Drama at King’s College London, UK. She is the author of Children of the Queen’s Revels: A Jacobean Theatre Repertory and Archaic Style in English Literature, 1590-1674.