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Shakespeare and Stanislavsky A Practical Guide for Actors, Directors, Students and Teachers

Tyson, Annie
Innbundet / 2024 / Engelsk

Produktdetaljer

ISBN
9781350249752
Publisert
2024-11-14
Utgiver
Vendor
The Arden Shakespeare
Høyde
216 mm
Bredde
138 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
208

Forfatter
Tyson, Annie

Biographical note

Annie Tyson read Drama and Theatre Arts at Birmingham University before training at the Drama Centre. She began her professional life as an actor in repertory theatre playing a wide variety of roles from Shakespeare to musicals and pantomime and moving into TV and radio. Her interest and curiosity about the actor’s process led her to working as an acting tutor at Rose Bruford College, at Drama Centre and eventually to her becoming the Course Director for BA Acting at Drama Centre where she continued to champion the European classical repertoire with a particular passion for Shakespeare. She now works at RADA and as a mentor for Open Door and is a Patron of the MonoBox. She has contributed to Directing – a handbook for emerging directors and a chapter in Approaches to Actor Training – International Perspectives. She continues to act, on occasion.

Shakespeare and Stanislavsky A Practical Guide for Actors, Directors, Students and Teachers

Tyson, Annie
Innbundet / 2024 / Engelsk
Tyson, Annie
Innbundet / 2024 / Engelsk
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This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Konstantin Stanislavsky to Shakespeare.Shakespeare and Stanislavsky provides a guide for actors, acting students, directors and teachers who want to apply the work of influential theatre practitioner, Stanislavsky, to the process of rehearsing and workshopping Shakespeare’s play texts. Acting tutor and director, Annie Tyson, makes applying Stanislavsky’s methods to Shakespeare simple and accessible. She rejects and dispels the myth held by some that Stanislavsky and Shakespeare are incompatible, showing instead how the Shakespearean text offers clues to specific acting choices that are intricately connected to action and character. Drawing on years of acting, directing and teaching experience at the Drama Centre London and RADA, Tyson’s guide is full of practical tips and humour. This guide also includes a series of interviews with actors and directors who explain their approach to applying Stanislavsky to Shakespeare.
Les mer
SECTION 1 Chapter 1. Introduction to the work of Konstantin StanislavksyChapter 2. Stanislavsky’s work on Shakespeare Chapter 3. Stanislavsky’s influence on actor-training Section 2 – Practical Work Chapter 1. Concentration and Circles of Attention Chapter 2. Who (and What) Am I? Chapter 3. The Given Circumstances Chapter 4. The Given Circumstances Chapter 5. Action and Objective and the Superobjective Chapter 6. How Do I Get It? Chapter 7. What Must I Overcome? Chapter 8. What are My Relationships? Chapter 9. Emotion SECTION 3 Case Study Macbeth at RADA 2020SECTION 4 INTERVIEWSProfessor Vladimir MirodanJoseph MillsonNeil SwainDavid ThackerEdward Kemp
Les mer
This companion volume to the Arden Performance Editions provides actors, directors, teachers and students with insight into how the work of Konstantin Stanislavsky can be applied to the rehearsal process for a Shakespeare play or scene-study.
Les mer
A simple, accessible account of the key elements of Stanislavsky’s method and ways in which these can be applied to the production or exploration of a Shakespeare play
The Arden Performance Companions offer practice-focussed introductions to different aspects of staging Shakespeare’s plays: whether accounts of how Shakespearean drama may respond to particular systems of rehearsal and preparation, guides to how today’s actors can understand and use different facets of Shakespeare’s verbal style, or explorations of how particular modern practitioners have used Shakespeare’s scripts as starting points for their own embodied thinking about the social and aesthetic possibilities of popular theatre. The premise of this series is that the interpretation of Shakespeare is not confined to the literary analysis of his scripts, but also includes their rehearsal and performance. With this in mind, the Arden list of editions of Shakespeare expanded in 2017 to include not only heavily-annotated scholarly texts of each play, designed primarily for use in colleges and universities, but a new series, the Arden Performance Editions of Shakespeare, designed primarily for use in rehearsal rooms and at drama schools. Just as academic editions of Shakespeare may be supplemented by books introducing students to different modes of academic criticism, so these Arden Performance Companions seek to supplement the Arden Performance Editions, offering a rich variety of practical guidance on how Shakespeare’s plays can be brought to life in contemporary performance.
Les mer

Relaterte produkter

This book provides actors, directors, teachers and students with a clear, practical guide to applying the work of influential theatre practitioner Konstantin Stanislavsky to Shakespeare.Shakespeare and Stanislavsky provides a guide for actors, acting students, directors and teachers who want to apply the work of influential theatre practitioner, Stanislavsky, to the process of rehearsing and workshopping Shakespeare’s play texts. Acting tutor and director, Annie Tyson, makes applying Stanislavsky’s methods to Shakespeare simple and accessible. She rejects and dispels the myth held by some that Stanislavsky and Shakespeare are incompatible, showing instead how the Shakespearean text offers clues to specific acting choices that are intricately connected to action and character. Drawing on years of acting, directing and teaching experience at the Drama Centre London and RADA, Tyson’s guide is full of practical tips and humour. This guide also includes a series of interviews with actors and directors who explain their approach to applying Stanislavsky to Shakespeare.
Les mer
SECTION 1 Chapter 1. Introduction to the work of Konstantin StanislavksyChapter 2. Stanislavsky’s work on Shakespeare Chapter 3. Stanislavsky’s influence on actor-training Section 2 – Practical Work Chapter 1. Concentration and Circles of Attention Chapter 2. Who (and What) Am I? Chapter 3. The Given Circumstances Chapter 4. The Given Circumstances Chapter 5. Action and Objective and the Superobjective Chapter 6. How Do I Get It? Chapter 7. What Must I Overcome? Chapter 8. What are My Relationships? Chapter 9. Emotion SECTION 3 Case Study Macbeth at RADA 2020SECTION 4 INTERVIEWSProfessor Vladimir MirodanJoseph MillsonNeil SwainDavid ThackerEdward Kemp
Les mer
This companion volume to the Arden Performance Editions provides actors, directors, teachers and students with insight into how the work of Konstantin Stanislavsky can be applied to the rehearsal process for a Shakespeare play or scene-study.
Les mer
A simple, accessible account of the key elements of Stanislavsky’s method and ways in which these can be applied to the production or exploration of a Shakespeare play
The Arden Performance Companions offer practice-focussed introductions to different aspects of staging Shakespeare’s plays: whether accounts of how Shakespearean drama may respond to particular systems of rehearsal and preparation, guides to how today’s actors can understand and use different facets of Shakespeare’s verbal style, or explorations of how particular modern practitioners have used Shakespeare’s scripts as starting points for their own embodied thinking about the social and aesthetic possibilities of popular theatre. The premise of this series is that the interpretation of Shakespeare is not confined to the literary analysis of his scripts, but also includes their rehearsal and performance. With this in mind, the Arden list of editions of Shakespeare expanded in 2017 to include not only heavily-annotated scholarly texts of each play, designed primarily for use in colleges and universities, but a new series, the Arden Performance Editions of Shakespeare, designed primarily for use in rehearsal rooms and at drama schools. Just as academic editions of Shakespeare may be supplemented by books introducing students to different modes of academic criticism, so these Arden Performance Companions seek to supplement the Arden Performance Editions, offering a rich variety of practical guidance on how Shakespeare’s plays can be brought to life in contemporary performance.
Les mer

Produktdetaljer

ISBN
9781350249752
Publisert
2024-11-14
Utgiver
Vendor
The Arden Shakespeare
Høyde
216 mm
Bredde
138 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
208

Forfatter
Tyson, Annie

Biographical note

Annie Tyson read Drama and Theatre Arts at Birmingham University before training at the Drama Centre. She began her professional life as an actor in repertory theatre playing a wide variety of roles from Shakespeare to musicals and pantomime and moving into TV and radio. Her interest and curiosity about the actor’s process led her to working as an acting tutor at Rose Bruford College, at Drama Centre and eventually to her becoming the Course Director for BA Acting at Drama Centre where she continued to champion the European classical repertoire with a particular passion for Shakespeare. She now works at RADA and as a mentor for Open Door and is a Patron of the MonoBox. She has contributed to Directing – a handbook for emerging directors and a chapter in Approaches to Actor Training – International Perspectives. She continues to act, on occasion.

Relaterte produkter