Screenwriting: Creative Labor and Professional Practice analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters.Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed. Chapters explore areas including: Screenwriting histories and myths of the profession Screenwriting as creative labor Screenwriters’ working lives Screenwriting work and the how-to genre Screenwriting work and inequalitiesDrawing on historical and critical perspectives of mainstream screenwriting in the USA and UK, as well as valuable interviews with working screenwriters, this book presents a highly original and multi-faceted study of screenwriting as creative labor and professional practice.The Open Access version of this book, available at www.taylorandfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-No Derivatives 4.0 license.https://www.taylorfrancis.com/books/9780203080771
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Screenwriting: Creative Labor and Professional Practice analyzes the histories, practices, identities and subjects which form and shape the daily working lives of screenwriters.Author Bridget Conor considers the ways in which contemporary screenwriters navigate and make sense of the labor markets in which they are immersed.
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Introduction: Setting the ‘scene’ 1. Screenwriting histories and myths of the profession 2. Screenwriting as creative labor 3. Screenwriters’ working lives 4. Screenwriting work and the how-to genre 5. Screenwriting work – who’s in and who’s out? Conclusion: Screenwriting as good work Appendix One: How-to titles and authors Appendix Two: Indicative publishing information for five ‘guru’ how-to texts Bibliography
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Produktdetaljer

ISBN
9780415642675
Publisert
2014-04-04
Utgiver
Vendor
Routledge
Vekt
249 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
164

Forfatter

Biographical note

Bridget Conor is a lecturer in the Department of Culture, Media and Creative Industries at King¹s College London and previously taught at Goldsmiths College and AUT University in Auckland. She has published in the areas of screenwriting research and creative labor studies and her previous work focused on the production of ‘The Lord of the Rings’ trilogy in New Zealand.