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Routledge Companion to Expressionism in a Transnational Context

Wünsche, Isabel
Heftet / 2023 / Engelsk

Produktdetaljer

ISBN
9780367619732
Publisert
2023-09-25
Utgiver
Vendor
Routledge
Vekt
2350 gr
Høyde
246 mm
Bredde
174 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
634

Redaktør
Wünsche, Isabel

Biographical note

Isabel Wünsche is a professor of art and art history at Jacobs University Bremen. She specializes in European modernism, the avant-garde movements, and abstract art. Her book publications include Galka E. Scheyer & The Blue Four: Correspondence, 1924–1945 (Benteli, 2006), Biocentrism and Modernism (with Oliver A. I. Botar, Ashgate, 2011), Meanings of Abstract Art: Between Nature and Theory (with Paul Crowther, Routledge, 2012), The Organic School of the Russian Avant-Garde (Ashgate, 2015), Marianne Werefkin and the Women Artists in Her Circle (with Tanja Malycheva, Brill/Rodopi, 2016), and Practices of Abstract Art: Between Anarchism and Appropriation (with Wiebke Gronemeyer, Cambridge Scholars Publishing, 2016).

Routledge Companion to Expressionism in a Transnational Context

Wünsche, Isabel
Heftet / 2023 / Engelsk
Wünsche, Isabel
Heftet / 2023 / Engelsk
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<p>"Making a serious contribution to a global art history ... [the book] succeeds in mapping patterns of identity in under-explored geographical areas while augmenting our understanding of the concepts of expressionism and Bauhaus modernism."</p><p>--Art History</p>

The Routledge Companion to Expressionism in a Transnational Context is a challenging exploration of the transnational formation, dissemination, and transformation of expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, and South Africa, in the first half of the twentieth century.Comprising a series of essays by an international group of scholars in the fields of art history and literary and cultural studies, the volume addresses the intellectual discussions and artistic developments arising in the context of the expressionist movement in the various art centers and cultural regions. The authors also examine the implications of expressionism in artistic practice and its influence on modern and contemporary cultural production.Essential for an in-depth understanding and discussion of expressionism, this volume opens up new perspectives on developments in the visual arts of this period and challenges the traditional narratives that have predominantly focused on artistic styles and national movements.
Les mer
This book focuses on the transnational formation, dissemination, and transformation of Expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, South Africa, and Japan, in the first half of the twentieth century.
Les mer
Expressionist Networks, Cultural Debates, and Artistic Practices: A Conceptual Introduction Isabel WünschePart I: Central and Eastern Europe and the Baltic States Prague – Brno: Expressionism in ContextMarie Rakušanová Košice Modernism and Anton Jaszusch’s ExpressionismZsófia Kiss-Szemán Expressionism in Hungary: From the Neukunstgruppe to Der SturmAndrás Zwickl Poznan Expressionism and Its Connections with the German and International Avant-gardeLidia Głuchowska Expressionist Networks in the Russian Empire, Soviet Russia, and the Soviet UnionIsabel Wünsche Expressionism in Lithuania: From German Artistic Import to National ArtGiedrė Jankevičiūtė and Laima Laučkaitė Expressionist Originality in Latvia: Between Confirmation and DestructionGinta Gerharde-Upeniece The Ambivalent Affair of Estonian ExpressionismTiina Abel Part II: Scandinavia Expressionism in Denmark: Art and DiscourseTorben Jelsbak Expressionisms in Sweden: Anti-realism, Primitivism, and Politics in Painting and PrintMargareta Wallin Wictorin Nationalism, Transnationalism, and the Discourses on Expressionism in Finland: From the November Group to Ina Behrsen-Colliander Timo Huusko and Tutta Palin Expressionism in Sámi Art: John Savio’s Woodcuts of the 1920s and 1930sTuija Hautala-Hirvioja Early Expressionism in Icelandic Art: Jón Stefánsson, Jóhannes Kjarval, and Finnur JónssonMargrét Elísabet Ólafsdóttir Part III: Western Europe Early Engagements: Peripheral British Responses to German ExpressionismChristian Weikop Expressionism in the NetherlandsGert Imanse and Gregor Langfeld Flemish Expressionism in BelgiumCathérine Verleysen Jewish Expressionists in France, 1900-1940Richard D. Sonn German Expressionism in Italy: Herwarth Walden’s Der Sturm, the Berlin Novembergruppe, and the Modernist Circles of Florence, Turin, and Rome Irene Chytraeus-Auerbach Expressionism and the Spanish Avant-garde between Restoration and RenovationWiebke Gronemeyer Portuguese Expressionism, or German Expressionism in Portugal?Nina Blum de Almeida Part IV: Southeastern Europe Expressionism in Slovenia: The Aspects of a TermMarko Jenko From Anxiety to Rebellion: Expressionism in Croatian ArtPetar Prelog On New Art and its Manifestations: Rethinking Expressionism in Visual Arts in BelgradeAna Bogdanović Tokens of Identity: Expressionisms in Romania around the First World WarErwin Kessler Expressionism in Bulgaria: Critical Reflections in Art Magazines and the Graphic ArtsIrina Genova Part V: Beyond Europe Expressionism in Canada and the United StatesOliver A.I. Botar and Herbert R. Hartel, Jr. Expressionism in Latin America and Its Contribution to the Modernist DiscourseMaria Frick The Expressionist Roots of South African ModernismLisa HörstmannSelected BibliographyIndex
Les mer

Relaterte produkter

<p>"Making a serious contribution to a global art history ... [the book] succeeds in mapping patterns of identity in under-explored geographical areas while augmenting our understanding of the concepts of expressionism and Bauhaus modernism."</p><p>--Art History</p>

The Routledge Companion to Expressionism in a Transnational Context is a challenging exploration of the transnational formation, dissemination, and transformation of expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, and South Africa, in the first half of the twentieth century.Comprising a series of essays by an international group of scholars in the fields of art history and literary and cultural studies, the volume addresses the intellectual discussions and artistic developments arising in the context of the expressionist movement in the various art centers and cultural regions. The authors also examine the implications of expressionism in artistic practice and its influence on modern and contemporary cultural production.Essential for an in-depth understanding and discussion of expressionism, this volume opens up new perspectives on developments in the visual arts of this period and challenges the traditional narratives that have predominantly focused on artistic styles and national movements.
Les mer
This book focuses on the transnational formation, dissemination, and transformation of Expressionism outside of the German-speaking world, in regions such as Central and Eastern Europe, the Baltics and Scandinavia, Western and Southern Europe, North and Latin America, South Africa, and Japan, in the first half of the twentieth century.
Les mer
Expressionist Networks, Cultural Debates, and Artistic Practices: A Conceptual Introduction Isabel WünschePart I: Central and Eastern Europe and the Baltic States Prague – Brno: Expressionism in ContextMarie Rakušanová Košice Modernism and Anton Jaszusch’s ExpressionismZsófia Kiss-Szemán Expressionism in Hungary: From the Neukunstgruppe to Der SturmAndrás Zwickl Poznan Expressionism and Its Connections with the German and International Avant-gardeLidia Głuchowska Expressionist Networks in the Russian Empire, Soviet Russia, and the Soviet UnionIsabel Wünsche Expressionism in Lithuania: From German Artistic Import to National ArtGiedrė Jankevičiūtė and Laima Laučkaitė Expressionist Originality in Latvia: Between Confirmation and DestructionGinta Gerharde-Upeniece The Ambivalent Affair of Estonian ExpressionismTiina Abel Part II: Scandinavia Expressionism in Denmark: Art and DiscourseTorben Jelsbak Expressionisms in Sweden: Anti-realism, Primitivism, and Politics in Painting and PrintMargareta Wallin Wictorin Nationalism, Transnationalism, and the Discourses on Expressionism in Finland: From the November Group to Ina Behrsen-Colliander Timo Huusko and Tutta Palin Expressionism in Sámi Art: John Savio’s Woodcuts of the 1920s and 1930sTuija Hautala-Hirvioja Early Expressionism in Icelandic Art: Jón Stefánsson, Jóhannes Kjarval, and Finnur JónssonMargrét Elísabet Ólafsdóttir Part III: Western Europe Early Engagements: Peripheral British Responses to German ExpressionismChristian Weikop Expressionism in the NetherlandsGert Imanse and Gregor Langfeld Flemish Expressionism in BelgiumCathérine Verleysen Jewish Expressionists in France, 1900-1940Richard D. Sonn German Expressionism in Italy: Herwarth Walden’s Der Sturm, the Berlin Novembergruppe, and the Modernist Circles of Florence, Turin, and Rome Irene Chytraeus-Auerbach Expressionism and the Spanish Avant-garde between Restoration and RenovationWiebke Gronemeyer Portuguese Expressionism, or German Expressionism in Portugal?Nina Blum de Almeida Part IV: Southeastern Europe Expressionism in Slovenia: The Aspects of a TermMarko Jenko From Anxiety to Rebellion: Expressionism in Croatian ArtPetar Prelog On New Art and its Manifestations: Rethinking Expressionism in Visual Arts in BelgradeAna Bogdanović Tokens of Identity: Expressionisms in Romania around the First World WarErwin Kessler Expressionism in Bulgaria: Critical Reflections in Art Magazines and the Graphic ArtsIrina Genova Part V: Beyond Europe Expressionism in Canada and the United StatesOliver A.I. Botar and Herbert R. Hartel, Jr. Expressionism in Latin America and Its Contribution to the Modernist DiscourseMaria Frick The Expressionist Roots of South African ModernismLisa HörstmannSelected BibliographyIndex
Les mer

Produktdetaljer

ISBN
9780367619732
Publisert
2023-09-25
Utgiver
Vendor
Routledge
Vekt
2350 gr
Høyde
246 mm
Bredde
174 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
634

Redaktør
Wünsche, Isabel

Biographical note

Isabel Wünsche is a professor of art and art history at Jacobs University Bremen. She specializes in European modernism, the avant-garde movements, and abstract art. Her book publications include Galka E. Scheyer & The Blue Four: Correspondence, 1924–1945 (Benteli, 2006), Biocentrism and Modernism (with Oliver A. I. Botar, Ashgate, 2011), Meanings of Abstract Art: Between Nature and Theory (with Paul Crowther, Routledge, 2012), The Organic School of the Russian Avant-Garde (Ashgate, 2015), Marianne Werefkin and the Women Artists in Her Circle (with Tanja Malycheva, Brill/Rodopi, 2016), and Practices of Abstract Art: Between Anarchism and Appropriation (with Wiebke Gronemeyer, Cambridge Scholars Publishing, 2016).

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