It’s been over a decade since [Anita Desai's] last work of fiction. She’s a writer I’ve loved since my adolescence, whose <b>sharp observations and elegant sentences</b> I admire increasingly as the years go on. <b>Every new work from her is a gift</b>

- Kamila Shamsie, <i>Stylist<i/>,

As <b>taut and weird and entrancing</b> as a story by Jorge Luis Borges. If <i>Rosarita </i>is to be her swansong . . . then it’s a <b>magnificent </b>way to go out

- George Cochrane, <i>The Telegraph</i> (5 star review),

The <b>three-times Booker-shortlisted writer </b>is back with a poignant novella about one young woman’s thwarted attempt to escape her past . . . <b>a thoughtful read that will delight Desai stalwarts and send newcomers scurrying to her impressive backlist</b>; leaving all hopeful this won’t be her last piece of short fiction

- Susie Mesure, <i>The i<i/>,

Se alle

A <b>tantalising</b> tale of memory, family and fantasy . . . <b>evocative, subtle and enigmatic</b>. Desai revels in equivocation and possibility, embracing the ambiguity of memory itself to tell a <b>shimmering, sometimes fevered tale in which a mother and daughter are pulled apart and fused together</b>

Financial Times

There is a <b>dreamy and wistful </b>mood to this very short gem, lulling in its revelations and comforting in its gentle appeal. <b>A wonder of a novel.</b>

- Paul Perry, <i>Irish Sunday Independent<i/>,

Her writing is <b>sensuous, radical and uncannily perceptive</b>

The Times

To compare Anita Desai's fiction with that of Chekhov or the short stories of Tolstoy is not extravagant; it is entirely warranted

The Irish Times

Anita Desai is one of the most<b> brilliant and subtle </b>writers ever to have described the meeting of eastern and western culture

- Alison Lurie,

All her stories are <b>full of a confidence in human nature that is a rarity and a pleasure </b>to encounter

The Spectator

Desai has a <b>wicked, subtle humour</b> . . . and <b>her characters are beautifully described</b> . . . Her writing is polished and mature, with a wit she cleverly underplays

The Daily Telegraph

One of the most gifted of contemporary Indian writers

The New Yorker

Anita Desai writes <b>exquisitely</b>

The Scotsman

She has the ability to shape and refine a piece of work of her own intense imagination into an <b>independent work of art</b>

The Times

Desai <b>writes powerfully and provocatively</b> . . . <i>Rosarita </i>is <b>a transcendent late gift: both a testament to Desai’s enduring genius as a writer</b> and a wholly remarkable vindication of literature’s power to illuminate the conundrums of human experience. This is<b> a novel of profound philosophical inquiry</b>

The Guardian

<i>Rosaira </i>tells of the <b>universal craving to belong</b>

- Stevie Davies, <i>The Literary Review<i/>,

<b>Strikingly vivid</b> . . . this book is the literary equivalent of a lucid dream,<b> a surreal and deeply personal experience </b>

The Skinny

The perfect read for a<b> sultry summer afternoon</b>

The i

<b>Poignant</b> . . . this has Desai's insightful characterisations that craft a<b> haunting</b> narrative, offering readers a contemplative and <b>deeply resonant meditation</b> that lingers after the page

- Chaya Colman and Sophie Ezra, <i>Glamour<i>, </i></i>Best new books of July 2024, according to literary experts,

<i>Rosarita </i>is a <b>thoughtful </b>read that will delight Desai stalwarts and send newcomers scurrying to her impressive backlist; <b>leaving all hopeful that this won't be her last piece of short fiction</b>

Who are you? <b>Desai's first novel in a decade</b>, written in the second person, turns brilliantly on this question

- <i>The Telegraph</i>, The 75 hottest books of 2024 so far,

<b>Enigmatic</b> . . . weaves a supple tale of <b>memory, secrets, belonging and becoming</b>

- Hephzibah Anderson, <i>Scottish Mail on Sunday<i/>, The Best New Fiction,

It is <b>beautifully told, the story itself also like a work of art.</b> It is a perfect little gift to give oneself or another

- Brid Conroy, <i>Mayo News<i/>,

Swirling under the <b>delicacy of the prose</b> is a terrible turbulence. Who was Rosarita?

The Times Literary Supplement

The deceptively slender format can briskly <b>encompass whole worlds and histories</b>, or alternatively, like the short story, depend on strict excisions and limitations for its effects. <i>Rosarita</i> does both.

Spectator

'Anita Desai is a magnificent writer' - Salman Rushdie
'Every new work from her is a gift' - Kamila Shamsie
'Rosarita is transcendent . . . a testament to Desai’s enduring genius as a writer' - The Guardian
'Tantalising' - Financial Times

From three times Booker-shortlisted author Anita Desai, Rosarita is a beautiful, haunting novel that explores memory, grief, and a young woman’s determination to forge her own path.


A young student sits on a bench in a park in San Miguel, Mexico. Bonita is away from her home in India to learn Spanish. She is alone, somewhere she has no connection to. It is bliss.

And then a woman approaches her. The woman claims to recognize Bonita because she is the spitting image of her mother, who made the same journey from India to Mexico as a young artist. No, says Bonita, my mother didn’t paint. She never travelled to Mexico. But this strange woman insists, and so Bonita follows her. Into a story where Bonita and her mother will move apart and come together, and where the past threatens to flood the present, or re-write it.

**Praise for Anita Desai**

Hypnotically beautiful and subtle’ - Financial Times
‘Bewitchingly beautiful’ - The Times
‘Profoundly elegiac’ - New Statesman

Les mer
From three times Booker-shortlisted writer Anita Desai, <i>Rosarita </i>is an exquisite story of art, memory and what happens when the past threatens to re-write the present.

Produktdetaljer

ISBN
9781035044641
Publisert
2025-07-10
Utgiver
Vendor
Picador
Høyde
197 mm
Bredde
130 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
112

Forfatter

Biographical note

Born and educated in India, Anita Desai is the author of many novels, including Rosarita, and short stories, and has been shortlisted for the Booker Prize three times for her novels Clear Light of Day, In Custody and Fasting, Feasting. She is the Emerita John E. Burchard Professor of Humanities at the Massachusetts Institute of Technology and a Fellow of both the American Academy of Arts and the Royal Society of Literature.