It’s been over a decade since [Anita Desai's] last work of fiction. She’s a writer I’ve loved since my adolescence, whose <b>sharp observations and elegant sentences</b> I admire increasingly as the years go on. <b>Every new work from her is a gift</b>
- Kamila Shamsie, <i>Stylist<i/>,
As <b>taut and weird and entrancing</b> as a story by Jorge Luis Borges. If <i>Rosarita </i>is to be her swansong . . . then it’s a <b>magnificent </b>way to go out
- George Cochrane, <i>The Telegraph</i> (5 star review),
The <b>three-times Booker-shortlisted writer </b>is back with a poignant novella about one young woman’s thwarted attempt to escape her past . . . <b>a thoughtful read that will delight Desai stalwarts and send newcomers scurrying to her impressive backlist</b>; leaving all hopeful this won’t be her last piece of short fiction
- Susie Mesure, <i>The i<i/>,
A <b>tantalising</b> tale of memory, family and fantasy . . . <b>evocative, subtle and enigmatic</b>. Desai revels in equivocation and possibility, embracing the ambiguity of memory itself to tell a <b>shimmering, sometimes fevered tale in which a mother and daughter are pulled apart and fused together</b>
Financial Times
There is a <b>dreamy and wistful </b>mood to this very short gem, lulling in its revelations and comforting in its gentle appeal. <b>A wonder of a novel.</b>
- Paul Perry, <i>Irish Sunday Independent<i/>,
Her writing is <b>sensuous, radical and uncannily perceptive</b>
The Times
To compare Anita Desai's fiction with that of Chekhov or the short stories of Tolstoy is not extravagant; it is entirely warranted
The Irish Times
Anita Desai is one of the most<b> brilliant and subtle </b>writers ever to have described the meeting of eastern and western culture
- Alison Lurie,
All her stories are <b>full of a confidence in human nature that is a rarity and a pleasure </b>to encounter
The Spectator
Desai has a <b>wicked, subtle humour</b> . . . and <b>her characters are beautifully described</b> . . . Her writing is polished and mature, with a wit she cleverly underplays
The Daily Telegraph
One of the most gifted of contemporary Indian writers
The New Yorker
Anita Desai writes <b>exquisitely</b>
The Scotsman
She has the ability to shape and refine a piece of work of her own intense imagination into an <b>independent work of art</b>
The Times
Desai <b>writes powerfully and provocatively</b> . . . <i>Rosarita </i>is <b>a transcendent late gift: both a testament to Desai’s enduring genius as a writer</b> and a wholly remarkable vindication of literature’s power to illuminate the conundrums of human experience. This is<b> a novel of profound philosophical inquiry</b>
The Guardian
<i>Rosaira </i>tells of the <b>universal craving to belong</b>
- Stevie Davies, <i>The Literary Review<i/>,
<b>Strikingly vivid</b> . . . this book is the literary equivalent of a lucid dream,<b> a surreal and deeply personal experience </b>
The Skinny
The perfect read for a<b> sultry summer afternoon</b>
The i
<b>Poignant</b> . . . this has Desai's insightful characterisations that craft a<b> haunting</b> narrative, offering readers a contemplative and <b>deeply resonant meditation</b> that lingers after the page
- Chaya Colman and Sophie Ezra, <i>Glamour<i>, </i></i>Best new books of July 2024, according to literary experts,
<i>Rosarita </i>is a <b>thoughtful </b>read that will delight Desai stalwarts and send newcomers scurrying to her impressive backlist; <b>leaving all hopeful that this won't be her last piece of short fiction</b>
Who are you? <b>Desai's first novel in a decade</b>, written in the second person, turns brilliantly on this question
- <i>The Telegraph</i>, The 75 hottest books of 2024 so far,
<b>Enigmatic</b> . . . weaves a supple tale of <b>memory, secrets, belonging and becoming</b>
- Hephzibah Anderson, <i>Scottish Mail on Sunday<i/>, The Best New Fiction,
It is <b>beautifully told, the story itself also like a work of art.</b> It is a perfect little gift to give oneself or another
- Brid Conroy, <i>Mayo News<i/>,
Swirling under the <b>delicacy of the prose</b> is a terrible turbulence. Who was Rosarita?
The Times Literary Supplement
The deceptively slender format can briskly <b>encompass whole worlds and histories</b>, or alternatively, like the short story, depend on strict excisions and limitations for its effects. <i>Rosarita</i> does both.
Spectator
'Anita Desai is a magnificent writer' - Salman Rushdie
'Every new work from her is a gift' - Kamila Shamsie
'Rosarita is transcendent . . . a testament to Desai’s enduring genius as a writer' - The Guardian
'Tantalising' - Financial Times
From three times Booker-shortlisted author Anita Desai, Rosarita is a beautiful, haunting novel that explores memory, grief, and a young woman’s determination to forge her own path.
A young student sits on a bench in a park in San Miguel, Mexico. Bonita is away from her home in India to learn Spanish. She is alone, somewhere she has no connection to. It is bliss.
And then a woman approaches her. The woman claims to recognize Bonita because she is the spitting image of her mother, who made the same journey from India to Mexico as a young artist. No, says Bonita, my mother didn’t paint. She never travelled to Mexico. But this strange woman insists, and so Bonita follows her. Into a story where Bonita and her mother will move apart and come together, and where the past threatens to flood the present, or re-write it.
**Praise for Anita Desai**
Hypnotically beautiful and subtle’ - Financial Times
‘Bewitchingly beautiful’ - The Times
‘Profoundly elegiac’ - New Statesman