Romantic poets and their heirs sing in philosophical twilight, addressing issues of being and knowing while almost ignorant of the guidance available to them in the thought of Aristotle and Aquinas. Montgomery in considerable measure recovers the wisdom of pre-Kantian naturalism and with it a vantage from which to assess Wordsworth, Keats, Hopkins, Eliot, and Stevens, each measured by their attempt to regain the basis of poetic analogy in actual, extramental beingggg

- John Alvis, professor and director, American Studies Program, University of Dallas,

Marion Montgomery's meditation on the plight of autonomous man cast adrift in a world of his own devising takes us through the history of philosophy and literature. The center that holds in the great singers of being he finds in the companionable relation between reason and intuition as evinced above all in the persuasive tuning of intellect and the truth of things in personal experience. This is a lovely and deeply felt rumination on the human condition by a distinguished poet doing a philosophers work. Warmly recommended.

- Ellis Sandoz, Louisiana State University,

Romantic poets and their heirs sing in philosophical twilight, addressing issues of being and knowing while almost ignorant of the guidance available to them in the thought of Aristotle and Aquinas. Montgomery in considerable measure recovers the wisdom of pre-Kantian naturalism and with it a vantage from which to assess Wordsworth, Keats, Hopkins, Eliot, and Stevens, each measured by their attempt to regain the basis of poetic analogy in actual, extramental being

- John Alvis, professor and director, American Studies Program, University of Dallas,

With special attention to the Romantic poets from Wordsworth and Coleridge down to Pound and Eliot, distinguished scholar Marion Montgomery explores the disorientation of image and metaphor from reality. The book focuses on the virtues and limits of the intuitive intellect as they are explicated by Thomas Aquinas in relational intellect, and the 'Romantic' poet's dependence upon the intuitive and rational modes of intellectual action, two species of 'romanticism' centering in presumptuous autonomy emerge: that of the poet and that of the scientist.
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Paying special attention to the Romantic poets from Wordworth and Coleridge down to Pound and Eliot, Marion Montgomgery explores the disorientation of image and methaphor for reality. Two species of "romanticism" emerge: that of the poet and that of the scientist.
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Produktdetaljer

ISBN
9780847683949
Publisert
1997-05-22
Utgiver
Vendor
Rowman & Littlefield
Vekt
390 gr
Høyde
227 mm
Bredde
149 mm
Dybde
15 mm
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
288

Forfatter

Biographical note

Marion Montgomery is Professor Emeritus of English at the University of Georgia. He is the author of numerous books, including T.S. Eliot: An Essay on the American Magus and Ezra Pound: A Critical Essay, as well as many poems and critical essays.