"Innovative, meticulous, and brilliantly written, <i>Revolutions Aesthetic</i> will serve as the standard bearer for studies on the modern cultural history of the Arab world and the broader Middle East. Max Weiss's work has profound implications for understanding the relationship of cultural producers and the state within postcolonial revolutionary systems around the world."—Kamran Rastegar, Tufts University
"<i>Revolutions Aesthetic</i> intervenes in a rich conversation about 20th- and early 21st-century cultural production in Syria's evolving dictatorship. Max Weiss's attention to gender dynamics and competing artistic visions, as well as his admirably lucid prose, make this book a valuable contribution to understanding the relationship between politics and aesthetics."—Lisa Wedeen, University of Chicago
"Max Weiss dives into the history of the revolution's aesthetic, which, like a safe for the imagination, senses, and freedom of Syrians, the dictator has failed to melt into his full metal statue. <i>Revolutions Aesthetic</i> enters the Syrian cinematic shot to observe and understand how it works."—Ossama Mohammed, director of <i>Stars in Broad Daylight</i> and <i>Sacrifices</i>
"For readers who are interested in the intersection between culture and politics in the context of Syria and the Middle East, this book is a must-read."—Shaoqun Lian, <i>China International Strategy Review</i>