<i>The Reader, the Text, the Poem</i> is a major contribution to literary and critical theory. It should be read, reread, and reflected on by anyone involved with the activity of reading."―Alan M. Hollingsworth, College English<br /><br />"This book should be studied by everybody interested in teaching, in the fate of literary works in the classroom, and in the welfare of children and young people in their school-imposed encounters with texts."― Wallace Douglas, <i>CEA Critic</i><br /><br />"Louise M. Rosenblatt’s <i>The Reader, the Text, the Poem</i> is an extraordinary resource for all teachers and scholars in the humanities." ―Steven Mailloux, University of California at Irvine<br /><br />"Louise Rosenblatt’s work helps classroom teachers understand how children’s background experiences shape the meanings they create from books." ―Bernice E. Cullinan, New York University
Starting from the same non-foundationalist premises, Rosenblatt avoids the extreme relativism of postmodern theories derived mainly from Continental sources. A deep understanding of the pragmatism of Dewey, James, and Peirce and of key issues in the social sciences is the basis for a view of language and the reading process that recognizes the potentialities for alternative interpretations and at the same time provides a rationale for the responsible reading of texts.
The book has been praised for its lucid explanation of the multidimensional character of the reading process―evoking, interpreting, and evaluating the work. The nonliterary (efferent) and the literary (aesthetic) are shown not to be opposites but to represent a continuum of reading behaviors. The author amply illustrates her theoretical points with interpretations of varied texts. The epilogue carries further her critique of rival contemporary theories.