Rape Culture and Female Resistance in Late Medieval Literature With an Edition of Middle English and Middle Scots Pastourelles
Produktdetaljer
Biographical note
Sarah Baechle is Assistant Professor of English at the University of Mississippi. She is a coeditor of New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall.
Carissa M. Harris is Associate Professor of English at Temple University and the author of Obscene Pedagogies: Transgressive Talk and Sexual Education in Late Medieval Britain.
Elizaveta Strakhov is Associate Professor of English at Marquette University. She is the author of Continental England: Form, Translation, and Chaucer in the Hundred Years’ War and a coeditor of John Lydgate’s “Dance of Death” and Related Works.
<p>“. . .this collection belongs on the bookshelf of every scholar interested in medieval gender, sexualized violence, and rape – and the many ways medieval women found to ensure their voices were heard and their stories were told.”</p><p>—Kathy Cawsey <i>Studies in the Age of Chaucer</i></p>
<p>“<i>Rape Culture and Female Resistance in Late Medieval Literature</i> brings a new focus on the sexual violence of the <i>pastourelle</i> genre, which, as the authors note, has often been erased or sidelined in mainstream scholarship. The essays offer a unique contribution by showing how the responses of women to sexual violence in the literature is mirrored by the responses of real women to similar events in our time.”</p><p>—Alison Gulley, editor of <i>Teaching Rape in the Medieval Literature Classroom: Approaches to Difficult Texts</i></p>
<p>“<i>Rape Culture and Female Resistance in Late Medieval Literature</i> is a timely, cutting-edge collection of essays that contains some of the most forward-thinking work on sexual violence, consent, and agency in the field of medieval literary studies. These essays chart a new, invigorating direction for feminist work that will shape the field for years to come.”</p><p>—Holly A. Crocker, author of <i>Chaucer’s Visions of Manhood</i></p>
Centering on the difficult and important subject of medieval rape culture, this book brings Middle English and Scots texts into conversation with contemporary discourses on sexual assault and the #MeToo movement. The book explores the topic in the late medieval lyric genre known as the pastourelle and in related literary works, including chivalric romance, devotional lyric, saints’ lives, and the works of major authors such as Margery Kempe and William Dunbar. By engaging issues that are important to feminist activism today—the gray areas of sexual consent, the enduring myth of false rape allegations, and the emancipatory potential of writing about survival—this volume demonstrates how the radical terms of the pastourelle might reshape our own thinking about consent, agency, and survivors’ speech and help uncover cultural scripts for talking about sexual violence today.
In addition to embodying the possibilities of medievalist feminist criticism after #MeToo, Rape Culture and Female Resistance in Late Medieval Literature includes an edition of sixteen Middle English and Middle Scots pastourelles. The poems are presented in a critical framework specifically tailored to the undergraduate classroom.
Along with the editors, the contributors to this volume include Lucy M. Allen-Goss, Suzanne M. Edwards, Mary C. Flannery, Katharine W. Jager, Scott David Miller, Elizabeth Robertson, Courtney E. Rydel, and Amy N. Vines.
Acknowledgements
Introduction: Recovering the Pastourelle
Sarah Baechle, Carissa M. Harris, and Elizaveta Strakhov
Part 1: Essays
1. Reassessing the Pastourelle: Rape Culture, #MeToo, and the Literature of Survival
Sarah Baechle and Carissa M. Harris, with Elizaveta Strakhov
2. “You and Me, Baby, Ain’t Nothin’ But Mammals”: Animal Metaphors and Sexual Consent in the Poetry of William Dunbar
Mary C. Flannery
3. Voicing Violence: Reading Rape Survival in Premodern Lyrics
Carissa M. Harris
4. Gentrifying the Pastourelle in the Visual Arts of the Valois Courts and Christine de Pizan’s Dit de la pastoure
Scott David Miller
5. Dismembered Memories: Philomela in Chaucer and Gower
Lucy M. Allen-Goss
6. The Many Wives of Potiphar: Rape Culture in Medieval Romance
Amy N. Vines
7. Legendary Resistance: Critiquing Rape Culture in Virgin Martyr Passions
Courtney E. Rydel
8. Rape, Rapture, and Writing The Book of Margery Kempe
Suzanne M. Edwards
9. “And sok his fille of þat licour”: Maternity, Sovereignty, and Song in the Marian Lyrics of London, British Library, MS Sloane
Katharine W. Jager
10. Response: A Telling Difference; Sexual Violence, Consent, and Literary Form
Elizabeth Robertson
Part 2: English and Scottish Pastourelles and Rape Songs
Edited by Carissa M. Harris
Throughe a forest as I can ryde
Come over the woodes fair and grene
When that byrdes be brought to rest
Be pes, ye make me spille my ale
Quhy so strat strang go we by youe
Hey troly loly lo
I can be wanton and yf I wyll
Beware my lytyl fynger
All to lufe and nocht to fenyie
Commonyng betuix the Mester and the Heure
I met my lady weil arrayit
I saw me thocht this hindir nycht
In somer quhen flouris will smell
Ane fair sweit may of mony one
Still undir the levis grene
Nay pish, nay pew
Bibliography
Contributors
Index
1. Explores what pastourelles say about agency, desire, and consent in the 15th century, how that applies to today, and how does one teach this topic.
2. Relates to #metoo movement
3. Advances scholarship on the meaning and use of middle English
Produktdetaljer
Biographical note
Sarah Baechle is Assistant Professor of English at the University of Mississippi. She is a coeditor of New Directions in Medieval Manuscript Studies and Reading Practices: Essays in Honor of Derek Pearsall.
Carissa M. Harris is Associate Professor of English at Temple University and the author of Obscene Pedagogies: Transgressive Talk and Sexual Education in Late Medieval Britain.
Elizaveta Strakhov is Associate Professor of English at Marquette University. She is the author of Continental England: Form, Translation, and Chaucer in the Hundred Years’ War and a coeditor of John Lydgate’s “Dance of Death” and Related Works.