This volume explores the political life of rage as it has been experienced and mobilized in France since 1968. The collection traces anger and its various morphologies across French-language literature, thought, cinema and activism.

Contents: Jasmine Cooper, Lili Owen Rowlands & Katie Pleming: Introduction – Elliot Evans: Letting rage speak: Asserting the value of particularized rage within the academy – Hannah Parlett: ‘Saute ma vie’: Subterranean rage, feminism and suicide in francophone cinema from the 1960s – Fourouzan Seban: Sons en rage: British Sounds (1969) de Jean- Luc Godard et Jean- Henri Roger – Jessy Simonini: Dedins la forest an fach tombar lo fraise: Pratiques de résistance en oc entre musique et littérature – David Ewing: Reading past rage: Ugly feelings and the possibility of hope in Michel Houellebecq’s Sérotonine (2019) – Chris Mcfarlane: Between hope and rage in Paul B. Preciado’s punk utopia – Jack Parlett: ‘Pas trop noir, pas trop rose’: Rage, flamboyance and AIDS activism in France – Sophie Marie Niang: S’enrager sans se consumer: Afrofeminist flamboyance as refusal in contemporary France – The Editors & Assa Traoré: Interview with Assa Traoré – Assa Traoré & Elsa Vigoureux, translated by the editors: Letter to Adama.