"With greater clarity than ever, this book articulates the relevance of psychoanalysis for art historical interpretation. The result is a work that must necessarily figure in method and theory courses from now on." <i>Keith Moxey, Barnard College, Columbia University</i>
Produktdetaljer
Biographical note
Griselda Pollock is Professor of Social and Critical Histories of Art and Director of the CATH Centre at the University of Leeds. She is the author of Vision and Difference: Feminism, Femininity and the Histories of Art (1988), Differencing the Canon: Feminist Desire and the Writing of Art’s Histories (1999), Looking Back to the Future: Essays on Art, Life, and Death (2000), and a monograph on Charlotte Salomon, Theatre of Memory (2007).