The Brussels World's Fair was perhaps the most important propaganda event to be staged for European allies in the Eisenhower years; his administration viewed culture as a weapon in the battle against communism. This book examines the critical role of film in the information war waged against the Soviets in the American pavilion at the fair. The administration sought to create a visual rendition of America that was arresting and inspirational; film was used as a method of political persuasion.
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The Brussels World’s Fair was perhaps the most important propaganda event to be staged for European allies by the Eisenhower administration, an administration that viewed culture as a necessary weapon in the battle against communism. This examines how film played a pivotal role in the information war waged against the Soviets in the American pavilion at the fair.
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Table of Contents
Acknowledgments
Preface
Introduction: The Brussels World’s Fair of 1958
1. Film and Cultural Diplomacy in the Early Cold War
2. America’s Salesman: Walt Disney’s USA in Circarama
3. Bug-Eye in South Pacific
4. Ribbon of Cold War Dreams: Touch of Evil’s European Premiere
5. The Visual Jazz of Shirley Clarke: Avant-Garde Cinema and the Department of State
6. Selling Good Design: IBM and the Films of Charles and Ray Eames
Bibliography
Index
Acknowledgments
Preface
Introduction: The Brussels World’s Fair of 1958
1. Film and Cultural Diplomacy in the Early Cold War
2. America’s Salesman: Walt Disney’s USA in Circarama
3. Bug-Eye in South Pacific
4. Ribbon of Cold War Dreams: Touch of Evil’s European Premiere
5. The Visual Jazz of Shirley Clarke: Avant-Garde Cinema and the Department of State
6. Selling Good Design: IBM and the Films of Charles and Ray Eames
Bibliography
Index
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Produktdetaljer
ISBN
9780786461547
Publisert
2011-05-16
Utgiver
Vendor
McFarland & Co Inc
Vekt
290 gr
Høyde
229 mm
Bredde
152 mm
Dybde
11 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Forfatter