Introduction: In the Beginning Was a Critique of Logos/ Part I: Critical Phenomenology: Back to Husserl / 1. The Pulse of Phenomenology / 2. Phenomena: A Critique of Logos / 3. Logos: A Critique of Phenomena / Part II: Ontological Critique: Heidegger and the Phenomenology of Ontico-Ontological Difference / 4. Plus d’Un … Phenomenologie / 5. Critique and the Absolute / 6. Critical Difference: Truth and Experience / Part III: Ethical Critique: Levinas and the Trembling of Phenomenology / 7. Shaken Grounds: Critique as an Earthquake / 8. Shaken Subjects: Critical Dislocations / 9. Critique for the Other / Part IV: Political Critique: Arendt and the Crisis of Beginnings / 10. Critical Phenomenology as Action / 11. Arendt With and Against Husserl / 12. Phenomenology’s Logos as a Critique of Violence / 13. Phenomenology’s Phenomena as a Critique of Totalitarianism / 14. Revolution: When Critique Becomes Creative / Part V: Critical Twilight: Derrida and the Postmetaphysical Critique of Phenomenology / 15.Neither Critical Nor Uncritical / 16. Critique Reduced – To difference / 17. Between Phenomenology and Grammatology / 18. Logos, Both More and Less Than a Voice / 19. On the Uncritical Divide at the Heart of Critique / Conclusion / Bibliography / Index

In Phenomena—Critique—Logos Michael Marder rethinks the phenomenological project in light of the centrality of critique and self-critique, thus illuminating the seismic motility of thinking as it addresses and articulates phenomena. Such a critical sensibility remarkably spans the work of Husserl, Heidegger, Levinas, Arendt, and Derrida, urging a reassessment of the relation between phenomenology and Kantian philosophy.