Performing Robert Burns Enactments and Representations of the ‘National Bard’
Produktdetaljer
Biografisk notat
Ian Brown is Emeritus Professor in Drama at Kingston University and Honorary Senior Research Fellow in Scottish Literature at Glasgow University. He is the General Editor of The Edinburgh History of Scottish Literature (EUP: 2007) and widely published on aspects of theatre and literature. He is also a playwright and poet. Gerard Carruthers is Reader and Head of Department in Scottish Literature at the University of Glasgow. He is General Editor of the forthcoming multi-volume Oxford University Press edition of the works of Robert Burns and is Director of the Centre for Robert Burns Studies. He is also the author of Robert Burns (Northcote, 2006), editor of The Devil to Stage: Five Plays by James Bridie (ASLS, 2007), Burns: Poems (Everyman, 2006) and co-editor of Beyond Scotland: New International Contexts for Twentieth-Century Scottish Literature (Rodopi, 2004), Walter Scott's Reliquiae Trotcosienses (Edinburgh University Press, 2004) and English Romanticism and the Celtic World (Cambridge University Press, 2003).Performing Robert Burns Enactments and Representations of the ‘National Bard’
Reading the essays together amply demonstrates the diverse ways in which Burns's poems and songs have been reimagined in performance since the eighteenth century, from the folkloric to the operatic, the national to the global. [...] Appealing to Burns scholars, the essays will be of interest to anyone interested in authorship and adaptation, performance and legacies of any hue.
- Daniel Cook, University of Dundee, Burns Chronicle
This book is a reminder that experiencing Burns has always been as much a voice or an event as pages in a book. In our time, as in his own, Burns is encountered as recitation, on stage and screen, in speeches, preeminently as song, and in the drama and debates surrounding new discoveries and new editions. Contributors to this imaginative new interdisciplinary collection bridge the divide between performers and scholars, with readable but authoritative short essays that will spark interest in all Burnsians and open up new directions for Burns research.
Patrick Scott, University of South Carolina
Reading the essays together amply demonstrates the diverse ways in which Burns's poems and songs have been reimagined in performance since the eighteenth century, from the folkloric to the operatic, the national to the global. [...] Appealing to Burns scholars, the essays will be of interest to anyone interested in authorship and adaptation, performance and legacies of any hue.
- Daniel Cook, University of Dundee, Burns Chronicle
This book is a reminder that experiencing Burns has always been as much a voice or an event as pages in a book. In our time, as in his own, Burns is encountered as recitation, on stage and screen, in speeches, preeminently as song, and in the drama and debates surrounding new discoveries and new editions. Contributors to this imaginative new interdisciplinary collection bridge the divide between performers and scholars, with readable but authoritative short essays that will spark interest in all Burnsians and open up new directions for Burns research.
Patrick Scott, University of South Carolina