[<i>Performing King Lear</i>] contains detailed critical and personal accounts of nearly 60 productions, some successful, some not ... Croall draws on published memoirs and frequently rueful interviews conducted with actors and directors for this project, to give the reader some sense of what the Lear experience is like from within. Chapters devoted to the exertions of Gielgud, Charles Laughton and an ill-fated production starring Nigel Hawthorne make for compelling reading.

The Sydney Morning Herald

[E]xemplary ... <i>King Lear</i> is for me, and for many Shakespeareans, the Mount Everest of the Shakespearean canon, and Jonathan Croall's excellently helpful and insightful book enables us to enjoy a broad perspective from the top of the summit.

Around the Globe

[Croall] has staked a convincing claim to being Britain's leading theatrical commentator and biographer ... [and i]n this latest book, he makes a valuable addition to theatre history ... So much in this collection, on matters large and small, is stimulating to read that it seems invidious to single out any passages ... Croall should be encouraged – urged – to work his way through the other great roles in the Shakespearean canon.

Inside Story

A fascinating book to anyone interested in theatre history or in the art of interpretation

Tim Pigott-Smith (King Lear, 2011)

I’m enjoying dipping into this very readable and insightful book, and very much appreciated the overview of our production

Paul Copley (King Lear, 2012)

By playing King Lear you join a conversation with colleagues alive and dead, male and female, and of surprisingly varied ages. Jonathan Croall’s vividly researched book celebrates both our diversity and our common ground.

Michael Pennington (King Lear, 2014)

I enjoyed reading about the various interpretations, including my own efforts – fascinating, and a lot to be learned.

Timothy West (King Lear, 1971, 1992 and 2002)

Truly glorious. What a wonderful achievement.

Deborah Warner (director King Lear, 1985 and 1990)

A genuinely fascinating read. The plurality of approaches is breathtaking

Tim Crouch (director, King Lear, 2012)

A valuable resource in reconstructing the ways and means by which the play has been made to mean on the stage, and the fables of retrospection that the play has produced.

Shakespeare Quarterly

This book will be of great interest to a wide range of people – students and academics interested in interpretations of this complex play, actors, directors and designers (the book is particularly strong on describing the many and various ways in which the play has been staged from a visual point of view), and of course anyone who loves the play itself.

Shiny New Books