<p>"Paving the Empire Road assembles Newton's considerable research at the BBC Written Archive Centre and his consultation of written documents including memoranda, letters and corresponding policy decisions, along with programme transcripts and synopses. Newton contributes a nuanced approach that foregrounds internal developments and issues at the BBC and links texts with context - an endeavour that is at its richest when mapping the early post-war years that coincided with postcolonial immigration."<br />Sarita Malik, Brunel University, <i>Critical Studies in Television</i> 9/1, 2014<br /><br />'Newton's substantial scholarship deserves a wide audience. <i>Paving the Empire Road</i> ends provocatively, citing an unspecified report on the challenges the BBC faces regarding "a positive acceptance of cultural diversity" and offering an unanswered question: is this a problem of a few months, or a few decades, ago? The conclusion invokes "meaningful changes", while seeming sceptical of the gradual evolution it has explored: from the BBC's "somewhat noble" public encouragement of assimilation and tolerance, to investigation of its own diversity issues. "Before, we would just moan at the television", the actor Treva Etienne says, remarking on the evolving black consciousness of the power to transform media images. Faced with the complexity of the BBC's workings, no reader of Darrell Newton's study dare "just moan" about the slowness or the inevitability of change.'<br />Vahni Capildeo, <i>TLS, </i>18 January 2013<br /><br />'Newton draws together a wealth of information from the rich records of the BBC's Written Archives, material that will prove invaluable to researchers exploring television as such, as well as those primarily interested in the experiences of black people in it. Newton's book also provides a forum for prominent media professionals (many of whom he interviewed) to express their views about how black Britons can best ensure a more balanced presence in British television in the future.'<br />Anne Spry Rush, University of Maryland<i>, American Historical Review, 13 </i>August 2014<br /><br />'...this academic study is an important contribution towards themapping and understanding of the history of black participation within Britishtelevision...His factual description manages to highlight how broadcasting choices with relation to race in the UK-not only BBC 1 and 2 but also ITV, Channel 4 and other networks-have generally reflected the problematic issues of assimilation and multiculturalism,which underlay British post-colonial society.'<br />Carla Mereu, University of Reading, <i>Historical Journal of Film, Radio and Television</i>, 2012<br /><br />'Paving the Empire Road assembles Newton's considerable research at the BBC Written Archive Centre and his consultation of written documents including memoranda, letters and corresponding policy decisions, along with programme transcripts and synopses. Newton contributes a nuanced approach that foregrounds internal developments and issues at the BBC and links texts with context - an endeavour that is at its richest when mapping the early post-war years that coincided with postcolonial immigration.'<br />Sarita Malik, Brunel University, <i>Critical Studies in Television</i> 9.1<br /><br />'Newton's <i>Paving the Empire Road </i>is best read as a series of discoveries about the BBC's communication with various ethnic associations and black activists through a series of experimental services, conferences and programming. Newton assembles a vast array of programming notes, transcripts of meetings and documented discussions that reveal that the BBC irregularly but consistently elicited the advice and suggestions of West Indian and South Asian community leaders. These findings are, simply put, archival gems.'<br />Brett Bebber, Old Dominion University, <i>Journal of British Cinema and Television</i> 13.1 (2016)</p>

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Beginning in the 1930s and moving into the post millennium, this book provides a historical analysis of the policies and practices established by the BBC as it attempted to assist white Britons in adjusting to the presence of African-Caribbeans. Among the themes the book explores are current representations of race, the future of British television and its impact on multi-ethnic audiences. The chapters include an extensive analysis of television programming, along with personal interviews that reveal the efforts of black Britons working for the BBC, whether as writers, producers or actors.
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The book explores how BBC management attempted to address race relations for the benefit of white Britons and African Caribbeans as their presence in England increased beyond the post-war years. Archival documents are used to demonstrate how established policies often shifted, reflecting the changing social climate of the nation, and its audiences.
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Introduction1 Radio, race, and the Television Service 2 Television programming and social impact3 Voices of contention and BBC programming4 A Black eye5 Contemporary voices from withinIndex
Beginning in the 1930s and moving into the post millennium, Newton provides a historical analysis of policies invoked, and practices undertaken as the Service attempted to assist white Britons in understanding the impact of African-Caribbeans, and their assimilation into constructs of Britishness. Management soon approved talks and scientific studies as a means of examining racial tensions, as ITV challenged the discourses of British broadcasting. Soon, BBC2 began broadcasting; and more issues of race appeared on the screens, each reflecting sometimes comedic, somewhat dystopic, often problematic circumstances of integration. In the years that followed however, social tensions such as the Nottingham and Notting Hill riots led to transmissions that included a series of news specials on Britain’s Colour Bar, and docudramas such as A Man From the Sun that attempted to frame the immigrant experience for British television audiences, but from the African-Caribbean point of view. Subsequent chapters include an extensive analysis of television programming, along with personal interviews. Topics include current representations of race, the future of British television, and its impact upon multiethnic audiences. Also detailed are the efforts of black Britons working within the British media as employees of the BBC, writers, producers and actors.
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Produktdetaljer

ISBN
9780719081675
Publisert
2011-10-31
Utgiver
Vendor
Manchester University Press
Høyde
234 mm
Bredde
156 mm
Aldersnivå
U, P, G, 05, 06, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet

Forfatter

Biographical note

Darrell Newton is Professor of Communication and Journalism at the University of Wisconsin-Eau Claire