Before 2010, there were no Israeli horror films. Then distinctly Israeli serial killers, zombies, vampires, and ghosts invaded local screens. The next decade saw a blossoming of the genre by young Israeli filmmakers. New Israeli Horror is the first book to tell their story. Through in-depth analysis, engaging storytelling, and interviews with the filmmakers, Olga Gershenson explores their films from inception to reception. She shows how these films challenge traditional representations of Israel and its people, while also appealing to audiences around the world.   Gershenson introduces an innovative conceptual framework of adaptation, which explains how filmmakers adapt global genre tropes to local reality. It illuminates the ways in which Israeli horror borrows and diverges from its international models. New Israeli Horror offers an exciting and original contribution to our understanding of both Israeli cinema and the horror genre.   A companion website to this book is available at  https://blogs.umass.edu/newisraelihorror/ (https://blogs.umass.edu/newisraelihorror/) Book trailer: https://youtu.be/oVJsD0QCORw (https://youtu.be/oVJsD0QCORw)  
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Before 2010, there were no Israeli horror films. The next decade saw a blossoming of the genre by young Israeli filmmakers. New Israeli Horror is the first book to tell their story. Through in-depth analysis, engaging storytelling, and interviews with the filmmakers, Olga Gershenson explores their films from inception to reception.  
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Acknowledgments Introduction  1 The Precursors: From The Angel Was a Devil to Frozen DaysPart I Subversion 2 The First Hebrew Horror: Rabies 3 A Korean Revenge Thriller in the Israeli Countryside: Big Bad WolvesPart II Conversion 4 Horror in the IDF Zombies in the Fatigues: Poisoned and Cannon FodderFreak Out: “The Final Boy” on the Base The Specters of Violence in The Damned 5 The Jewish Supernatural: JeruZalem 6 Slasher on the Kibbutz: Children of the FallPart III Aversion 7 Escaping Israel: Another World, Madam Yankelova’s Fine Literature Club, and The Golem Coda: Is There I-Horror? Notes Index
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“This significant work charts the ways in which New Israeli Horror films offer a critique of the violence that lies at the heart of Israeli society, the damaging masculinity of the military machine, and the suppression of Palestinian trauma. The result is a hugely readable and subtly nuanced work that makes a substantive contribution to our understanding of both modern Israel and the horror genre’s ability to articulate national trauma. It’s essential reading for all with an interest in the genre and in national cinema more broadly.”
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Produktdetaljer

ISBN
9781978837843
Publisert
2023-11-10
Utgiver
Vendor
Rutgers University Press
Vekt
50 gr
Høyde
235 mm
Bredde
156 mm
Dybde
18 mm
Aldersnivå
01, G, U, P, 01, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet

Forfatter

Biographical note

OLGA GERSHENSON is Professor of Judaic and Near Eastern Studies and of Film Studies at the University of Massachusetts Amherst. She is the author of The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe and Gesher: Russian Theater in Israel, and editor of Ladies and Gents: Public Toilets and Gender. To learn more about her work, see www.people.umass.edu/olga