A contentious and well-informed appraisal of four major novelists, whose work deals with the central problems of our times, this clearly-written and clear-headed book is an excellent and timely analysis of the fraught intersections between contemporary fiction, religion, politics and thought. It should be read by all those with an interest in contemporary fiction.

- Robert Eaglestone, Professor of Contemporary Literature and Thought, Department of English, Royal Holloway, University of London, UK,

In comparison to the endless paeans of praise figures such as McEwan, Rushdie and Amis regularly receive, what we have here is an intelligent, critical and highly original re-reading of their work. Probably the most unsettling aspect of this startling book is the suggestion that some of the most central figures in contemporary British literature embody a profound Neo-Conservatism, one which - through its admiration of a rabid 'New Atheism' and a rage against all things Islamic - finds itself in wholesale agreement with the main tenets of the 'War on Terror' . . . I don't think I'll ever read McEwan or Amis quite as innocently again.

- Ian Almond, Professor of Transnational Literatures, Georgia State University, USA,

A timely and important work examining four of the most lionised novelists with an appropriately aporetic eye.  

- Times Higher Education,

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"This reviewer...was not disappointed in the subject, the writing, the research or the outcome of this study." -David Rosman, New York Journal of Books

‘Arthur Bradley and Andrew Tate's excellent new book The New Atheist Novel is an important contribution to this counter-movement: counter-new-atheist that is, but without being ‘religious' itself.'

- The Glass,

I congratulate Arthur Bradley and Andrew Tate on this interesting and... beautifully written book. It is a real pleasure when one has so often read books that show so clearly the bias of the author(s) to read a book of such balance and erudition.

- Journal of Contemporary Religion, Vol. 27, No. 1,

The New Atheist Novel is the first study of a major new genre of contemporary fiction. It examines how Richard Dawkins's so-called 'New Atheism' movement has caught the imagination of four eminent modern novelists: Ian McEwan, Martin Amis, Salman Rushdie and Philip Pullman. For McEwan and his contemporaries, the contemporary novel represents a new front in the ideological war against religion, religious fundamentalism and, after 9/11, religious terror: the novel apparently stands for everything freedom, individuality, rationality and even a secular experience of the transcendental that religion seeks to overthrow. In this book, Bradley and Tate offer a genealogy of the New Atheist Novel: where it comes from, what needs it serves and, most importantly, where it may go in the future. What is it? How does it dramatise the war between belief and non-belief? To what extent does it represent a genuine ideological alternative to the religious imaginary or does it merely repeat it in secularised form? This fascinating study offers an incisive critique of this contemporary testament of literary belief and unbelief.
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Examines how Richard Dawkins' so-called 'New Atheism' movement has caught the imagination of four eminent modern novelists: Ian McEwan, Martin Amis, Salman Rushdie and Philip Pullman. This title offers a genealogy of the "New Atheist Novel": where it comes from, what needs it serves and, most importantly, where it may go in the future.
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Introduction; 1. Ian McEwan's end of the World Blues; 2. Martin Amis and the War for Cliche; 3. Salman Rushdie and the 'Quarrel Over God'; 4. Philip Pullman's Republic of Heaven; Conclusion.
A contentious and well-informed appraisal of four major novelists, whose work deals with the central problems of our times, this clearly-written and clear-headed book is an excellent and timely analysis of the fraught intersections between contemporary fiction, religion, politics and thought. It should be read by all those with an interest in contemporary fiction.
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The first major examination of the New Atheism as a literary phenomenon.
Examines the relationship between the formal and generic shape of the novels (for example, considering the difference between the rational realism of McEwan and Pullman’s debt to romance and fantasy).
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This series showcases new work at the forefront of religion and literature through short studies written by leading and rising scholars in the field. Books pursue a variety of theoretical approaches as they engage with writing from different religious and literary traditions. Collectively, the series offers a timely critical intervention to the interdisciplinary crossover between religion and literature, speaking to wider contemporary interests and mapping out new directions for the field in the early 21st century.
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Produktdetaljer

ISBN
9780826444295
Publisert
2010-02-11
Utgiver
Vendor
Continuum International Publishing Group Ltd.
Høyde
216 mm
Bredde
138 mm
Aldersnivå
UU, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
160

Biographical note

Arthur Bradley is Senior Lecturer in Literary and Cultural Studies at Lancaster University, UK. Andrew Tate is Senior Lecturer in the Department of English and Creative Writing at Lancaster University, UK.