Across the African continent, but especially in the sub-Saharan regions the light provided by the sun has a particularly stark quality, which becomes most apparent in relation to age-old buildings and in the way in which it shapes daily routines. Without relying on artificial light, architecture had to both make use of the sun light to create a light source within a building, yet also protect those living in the houses from the intensity of it. This has resulted in vernacular architecture that works with very few or small openings that render the inside of a building near pitch black while the outside is illuminated by direct sunshine that bears down mercilessly. On the initiative of the lighting company Zumtobel Group, photographer Iwan Baan and architect Francis Kéré set out to capture how the sun’s natural light cycle shapes vernacular architecture with little to no artificial light sources in Burkina Faso. They travelled to three exemplary locations: Communal compounds in Gando, the main mosque of Bobo Dioulasso and the terraced houses in Dano utilising pots to create skylights. Baan’s pictures are accompanied by architectural sketches by Francis Kéré, who himself grew up in this light environment and whose architecture is inspired by it. The stunning photographs are printed in a special technique to give a sense of being immersed in the very light conditions that are being documented.
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Produktdetaljer

ISBN
9783037786864
Publisert
2021-11-04
Utgiver
Vendor
Lars Muller Publishers
Høyde
330 mm
Bredde
240 mm
Aldersnivå
021, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
180

Forfatter
Bilder av

Biographical note

Iwan Baan is an architecture and documentary photographer. His works are published regularly in architectural magazines and newspapers, among them are Domus, a+u, The New Yorker, and The New York Times. He has worked for renowned architecture offices like SANAA, Rem Koolhaas/OMA, Herzog & de Meuron, Toyo Ito, and architects like Steven Holl and Zaha Hadid. In his photographs he focuses on the connection between architecture and the surrounding environment. Instead of isolating the built structure he embeds it in history and context.