Elizabeth Robertson's chapter 'Chaucer's and Wordsworth's Vivid Daisies'...unveils the heretofore overlooked influence of Chaucer's representation of the daisy on Wordsworth's poetry.
Lindsey Simon-Jones, The English Association
The Middle Ages continue to provide an important touchstone for the way the modern West presents itself and its relationship with the rest of the globe. This volume brings together leading scholars of literature and history, together with musicians, novelists, librarians, and museum curators in order to present exciting, up-to-date perspectives on how and why the Middle Ages continue to matter in the 20th and 21st centuries. Presented here, their essays represent a unique dialogue between scholars and practitioners of 'medievalism'. Framed by an introductory essay on the broad history of the continuing evolution of the idea of 'The Middle Ages' from the 14th century to the present day, chapters deal with subjects as diverse as: the use of Old Norse sagas by Republican deniers of climate change; the way figures like the Irish hero Cú Chulainn and St Patrick were used to give legitimacy to political affiliations during the Ulster 'Troubles'; the use of the Middle Ages in films by Pasolini and Tarantino; the adoption of the 'Green Man' motif in popular culture; Lady Gaga's manipulation of medieval iconography in her music videos; the translation of medieval poetry from manuscript to digital media; and the problem of writing national history free from the 'toxic medievalism' of the 19th and 20th centuries.
This book will appeal to anyone interested in the Middle Ages and its impact on recent political and cultural history. It is dedicated to the memory of Seamus Heaney, who gave his last overseas lecture in St Andrews in 2013, the year this book was conceived, and whose late poetry this book also discusses.
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This book provides many fresh perspectives on why and how the Middle Ages continue to matter so much in the 21st century. It is therefore as much about recent cultural and political history as it is about medieval history and medieval literature. The introduction provides a long overview of medievalism from the 14th to the 21st centuries.
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PART ONE: MEDIEVALISM IN POLITICS AND HISTORIES; PART TWO: PRACTISING MEDIEVALISM; PART THREE: MEDIEVALISM IN LITERATURE AND CULTURE
`It is a feast of literature and medievalism. I hope you enjoy it.'
Terry Jones, Chaucerian and Pythonist
An important contribution to an emerging field - medievalism
Includes contributions by academic and non-academic authors, e.g. musicians, novelists, librarians, and museum curators
A substantial introduction surveys the field and highlights emerging features of medievalism
Ranges across disciplines and art forms
Illustrated throughout and with eight colour plates
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Bettina Bildhauer works on medieval German literature and culture in a European context, especially on material things, blood, monstrosity, bodies, gender and the limits of the human. Her work on medievalist film has been published in Filming the Middle Ages (Reaktion, 2011), and The Middle Ages on Film, an essay collection co-edited with Anke Bernau (Manchester University Press 2009). Chris Jones teaches medieval and medievalist literature at the
University of St Andrews. He has published widely in these fields, including the critically acclaimed Strange Likeness: The Use of Old English in Twentieth-century Poetry (OUP, 2006).
Les mer
An important contribution to an emerging field - medievalism
Includes contributions by academic and non-academic authors, e.g. musicians, novelists, librarians, and museum curators
A substantial introduction surveys the field and highlights emerging features of medievalism
Ranges across disciplines and art forms
Illustrated throughout and with eight colour plates
Les mer
Produktdetaljer
ISBN
9780197266144
Publisert
2017
Utgiver
Vendor
Oxford University Press
Vekt
854 gr
Høyde
241 mm
Bredde
164 mm
Dybde
25 mm
Aldersnivå
U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
384