Taking into account the destructive powers of globalization, Making Worlds considers the interconnectedness of the world in the early modern period. This collection examines the interdisciplinary phenomenon of making worlds, with essays from scholars of history, literary studies, theatre and performance, art history, and anthropology. The volume advances questions about the history of globalization by focusing on how the expansion of global transit offered possibilities for interactions that included the testing of local identities through inventive experimentation with new and various forms of culture. Case studies show how the imposition of European economic, religious, political, and military models on other parts of the world unleashed unprecedented forces of invention as institutionalized powers came up against the creativity of peoples, cultural practices, materials, and techniques of making. In doing so, Making Worlds offers an important rethinking of how early globalization inconsistently generated ongoing dynamics of making, unmaking, and remaking worlds.
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Making Worlds explores how early globalization fostered new ways of knowing and shaping the world.
List of IllustrationsAcknowledgments 1. Introduction Angela Vanhaelen and Bronwen Wilson Part One: Material Flows 2. The Early Modern Fold: Pleated Media in Japan’s Encounter with EuropeKristopher Kersey   3. From Textile to Text: Cloth, Slavery, and the Archive in the Dutch Atlantic Carrie Anderson 4. Drawing Worlds in Smoke, Powder, and Fumes: Bodies and Trifles in Il Tabacco, the Courtly Ballet Staged in Turin (1650)Elisa Antonietta Daniele 5. From Hot Reverence to Cold Sweat: Christian Art and Ambivalence in Early Modern Japan Benjamin Schmidt 6. Eggs, Cheese, and (Francis) Bacon Helen Smith  Part Two: In-Between Spaces 7. The Cabinet and the World: Non-European Objects in Early Modern European CollectionsDaniela Bleichmar 8. Le Jeu du monde: Games, Maps, and World Conquest in Early Modern FranceTing Chang   9. The World Contained in an Imperial Ottoman AlbumEmine Fetvaci 10. World Building, the Folger Folios, and the University of British ColumbiaPatricia Badir   Part Three: Other Worlds 11. Ascetic Ecology: Landscape of a Desert SaintLyle Massey 12. The End of All: Worldliness, Piety, and the Social Life of Maps in the Post-Reformation English Household Gavin Hollis 13. Enlightenment Cosmology: A Medialogical Interpretation J.B. Shank 14. Masked Alliances: Global Politics and Economy in the Art and Performance Rituals of Mexico’s Indigenous PeopleJohn M.D. Pohl and Danny Zborover 15. Unease with the Exotic: Ambiguous Responses to Chinese Material Culture in the Dutch RepublicThijs Weststeijn ContributorsIndex
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"The essays in this impressive volume focus our attention on the ‘in-between spaces’ of the global early modern, where differing vantage points came into contact and jostled against one another. By emphasizing how these spaces were negotiated through the lives of things such as folding fans, eggs, and board games, they show how early modernity, even as it resulted in the destruction of many societies, initiated a creative process of world-making."
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Produktdetaljer

ISBN
9781487544935
Publisert
2022-12-07
Utgiver
Vendor
University of Toronto Press
Vekt
1000 gr
Høyde
234 mm
Bredde
155 mm
Dybde
41 mm
Aldersnivå
U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet

Biographical note

Angela Vanhaelen is a professor of art history at McGill University. Bronwen Wilson is the Edward W. Carter Chair in European Art and the Director of the Center for 17th- and 18th-Century Studies and William Andrews Memorial Clark Library at UCLA.