Listening and Talking: A Pathway to Acting provides undergraduate acting students with a clear, achievable, step-by-step way to approach the work of playing a role. The text is supplemented by exclusive video material to take the actor from their first encounter with the text through rehearsals with fellow actors and into performance. Drawing from the author's twenty years' experience of teaching at the Yale School of Drama, this book, which is influenced, too, by the work of legendary teachers such as Konstantin Stanislavski and Uta Hagen, presents a thorough examination of key aspects of the actor's technique (for example, listening, playing an action and pursuing an objective). Throughout, it includes exercises and process points through which students can put into practice the key lessons from each chapter. The practices laid out in this book form a holistic curriculum that not only ensures measurable results over a semester- or year-long course, but also sets in motion an internal process that will serve the student over their life as an artist.
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Preface and Acknowledgements Introduction: Looking to the Path—What Is Acting? Part I: The Actor’s Path—Preparing for Rehearsals Chapter 1. Given Circumstances: What Will You Listen To? Reading the play Chapter 2. Objectives: What Will You Listen For? Chapter 3. Inhabiting Character Part II: The Character’s Path—Rehearsal Chapter 4. Action: Targeting your partner Chapter 5. Building the Path Chapter 6. Technique in Action: Rehearsal Strategies Part III: The Collaborator’s Path—From Rehearsal to Performance Chapter 7. Rehearsal practice Chapter 8. In performance In Conclusion
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Listening and Talking: A Pathway to Acting provides undergraduate acting students with a clear, achievable, step-by-step way to approach the work of playing a role. Accompanying video resources guide the actor from their first encounter with the text through rehearsals with fellow actors and into performance.
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Ideal for scene-study courses, from introductory to advanced
Written by leading academics and practitioners, the Methuen Drama Acting Essentials textbook series address the fundamental topics covered in undergraduate drama programs. The authors share their knowledge with the next generation of theatre artists. The textbooks provide all the written content that a drama department needs to give its students a well-rounded education in the discipline. With a firm focus on pragmatic methods, the series emphasizes learning that comes from doing. At least 50 percent of each book’s content is exercises that students can put to immediate practical use. Accompanying videos give student access to teachers in their natural habitat, thereby preserving some of their creativity, individuality, and dynamic educational methods for posterity.
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Produktdetaljer

ISBN
9781350107250
Publisert
2023-12-28
Utgiver
Vendor
Methuen Drama
Høyde
216 mm
Bredde
138 mm
Aldersnivå
UU, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
224

Forfatter

Biographical note

Evan Yionoulis is the Richard Rodgers Dean and Director of the Drama Division at The Juilliard School, New York, USA. Before taking take up the post at Juilliard in 2018, Evan was a professor of acting and directing at the Yale School of Drama, USA, where she taught since 1997, served as chair of the department of acting from 1998 to 2003, and was a resident director at Yale Repertory Theatre. She is an Obie Award–winning director whose productions of new works and classics have been performed in New York City, across the United States, and internationally. As a writer, her works include the pieces Redhand Guitar and The Dread Pirate Project. Evan serves on the executive board of the Stage Directors and Choreographers Society, most recently as president. She has also served as a curriculum consultant for several major BFA programs in the United States. www.evanyionoulis.com