A vital contribution to environmental humanities that explores artistic responses to the plastic age  Since at least the 1960s, plastics have been a defining feature of contemporary life. They are undeniably utopian—wondrously innovative, cheap, malleable, durable, and convenient. Yet our proliferating use of plastics has also triggered catastrophic environmental consequences. Plastics are piling up in landfills, floating in oceans, and contributing to climate change and cancer clusters. They are derived from petrochemicals and enmeshed with the global oil economy, and they permeate our consumer goods and their packaging, our clothing and buildings, our bodies and minds. Plastic reshapes our cultural and social imaginaries. With impressive breadth and compelling urgency, the essays in Life in Plastic examine the arts and literature of the plastic age. Focusing mainly on post-1960s North America, the collection spans a wide variety of genres, including graphic novels, superhero comics, utopic and dystopic science fiction, poetry, and satirical prose, as well as vinyl records and visual arts. Essays by a remarkable lineup of cultural theorists interrogate how plastic—as material and concept—has affected human sensibilities and expression. The collection reveals the place of plastic in reshaping how we perceive, relate to, represent, and re-imagine bodies, senses, environment, scale, mortality, and collective well-being.Ultimately, the contributors to Life in Plastic think through plastic with an eye to imagining our way out of plastic, moving toward a postplastic future.Contributors: Crystal Bartolovich, Syracuse U; Maurizia Boscagli, U of California, Santa Barbara; Christopher Breu, Illinois State U; Loren Glass, U of Iowa; Sean Grattan, U of Kent; Nayoung Kim, Brandeis U; Jane Kuenz, U of Southern Maine; Paul Morrison, Brandeis U; W. Dana Phillips, Towson U in Maryland and Rhodes U in Grahamstown, South Africa; Margaret Ronda, UC-Davis; Lisa Swanstrom, U of Utah; Jennifer Wagner-Lawlor, Pennsylvania State U; Phillip E. Wegner, U of Florida; Daniel Worden, Rochester Institute of Technology. 
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ContentsAcknowledgmentsIntroduction: Concepts and Consequences of PlasticCaren Irr and Nayoung KimI. The Plastic Sensorium1. “Paper or Plastic?” and Other Conundrums of Environmental ChangeW. Dana Phillips2. Smelling PolyesterPaul Morrison3. The Album EraLoren Glass4. The Plastic You: Plastination and the Post-Mortal SelfJane KuenzII. The Plasticity of Genre5. Plastic Man and Other Petrochemical FantasiesDaniel Worden6. Organic Form, Plastic Forms: The Nature of Plastic in Contemporary EcopoeticsMargaret Ronda7. On the Beach: Porous Plasticity, Migration Art, and the Objet Trouvé of the WasteoceneMaurizia BoscagliIII. Plastic’s Capitalism8. “Refuge of Ignorance”: A Pre-History of “Plastic”Crystal Bartolovich9. The Petrochemical Unconscious: Destructive Plasticities in Richard Powers’ GainChristopher Breu10. The Impossible Figure of Oceanic PlasticSean GrattanIV. Post-Plastic Futures?11. From Proto-plastics to the Plastiglomerate: Science Fiction’s Shifting Synthetic SensibilitiesLisa Swanstrom12. Futures in Plastic: Science Fiction, Climate Change, and the New NorthPhillip E. Wegner13. Plastic’s “Untiring Solicitation”: Geographies of Myth, Corporate Alibis, and the Plaesthetics of the MatacãoJennifer Wagner-LawlorContributorsIndex
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Produktdetaljer

ISBN
9781517909888
Publisert
2021-11-30
Utgiver
Vendor
University of Minnesota Press
Høyde
216 mm
Bredde
140 mm
Dybde
38 mm
Aldersnivå
01, G, P, 01, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
304

Redaktør

Biographical note

Caren Irr is professor of English at Brandeis University. She is author or editor of five previous books, among them Toward the Geopolitical Novel: US Fiction in the 21st Century and The Suburbs of Dissent: Cultural Politics in the United States and Canada during the 1930s