'Few publications have declared, with such vigour or such clarity, that rather remarkable rise in Katherine Mansfield's reputation over the last two decades, her moving from her slot as minor writer to a central role in Modernism, as does this fresh collection of essays by younger scholars. 'The most emblematic woman writer of her time,' the New York Times Book Review has called her. These essays take up the challenge to ask why and how this is so, as they read her with flair and depth against the literary and philosophical currents where she now takes her place. We can no longer consider twentieth-century writing without Mansfield among its key figures, her fiction and letters among its enduring texts.'

- Vincent O' Sullivan, co-editor of The Collected Letters of Katherine Mansfield,

This is a valuable contribution to the fast growing canon of Mansfield studies,approaching her work with sensitive analysis, and a strong, historical background.

- Katherine Mansfield Studies,

The volume, then, is aseries of cohesive and scholarly essays, bringing a refreshing newinternational range of voices to the sphere of Mansfield criticism andincluding a comprehensive index. A very welcome addition to this rapidlydeveloping field.

- Cambridge Quarterly, vol 40, no 4,

Se alle

This collection of wide-ranging and stimulating essays attests to the renewed and burgeoning interest in the work of Katherine Mansfield... the sophisticated and innovative analyses offered in this collection stand as a fitting tribute to a writer who herself was intent on exploring 'what lies beneath the rich strange surfaces'. This collection not only sheds a new light on a writer frequently sidelined in critical work in modernist studies, but importantly opens a clear pathway for further re-evaluation of Mansfield's role in the production of British modernism and our understandings of its many complexities.

- Review of English Studies,

'[This book] reads Mansfield's work through diverse theoretical lenses and in tandem with a range of contemporaneous movements; [it] features essays that make good use of the life writings recently made available to critics.' —Woolf Studies Annual

'[This book] reads Mansfield's work through diverse theoretical lenses and in tandem with a range of contemporaneous movements; [it] features essays that make good use of the life writings recently made available to critics.' —Woolf Studies Annual

Katherine Mansfield's arrival in London in 1908 marked the start of her professional career as a writer and this study marks a revival of her reputation as one of the foremost practitioners of the short story. The international line-up of contributors attests to Mansfield's global appeal. By discussing her fiction in relation to her life, the contributors to this critical work present reinterpretations and readings. Enhanced by new transcriptions of manuscripts and access to her diaries and letters, these readings combine biographical approaches with critical-theoretical ones and focus not only on philosophy and fiction, but class and gender, biography/autobiography. The historical and aesthetic studies of Mansfield's work all take place within a framework of modernist literature, criticism and theory, thereby expanding our understanding of what it means to be a Modernist while allocating Mansfield a firm place in any current study of Modernism.
Les mer
Preface Janet Wilson, Gerri Kimber, Sue Reid \ Introduction: Katherine Mansfield and Literary Modernism J. Lawrence Mitchell \ Part I: Mansfield and Modernism I: Philosophy and Fiction \ 1. Mansfield, Rhythm and the Émigré Connection Gerri Kimber \ 2. Katherine Mansfield, Rhythm and Henri Bergson Eiko Nakano \ 3. The Famous New Zealand Mag.- Story Writer: Katherine Mansfield, Periodical Publishing and the Short Story Jenny McDonnell \ 4. 'Authentic Existence' and the Characters of Katherine Mansfield Miroslawa Kubasiewizc \ Part II: Mansfield and Modernism II: Self, Voice and Other \ 5. Elusiveness of the World and a Person: The Borders of Cognition in Katherine Mansfield's Stories Joanna Kokot \ 6. Un-Defining the Self in the Stories of Katherine Mansfield Nancy Gray \ 7. '-Ah, what is it? - that I heard': Voice and Affect in Katherine Mansfield's Short Fictions Anne Besnault-Levita \ 8. Kezia in Wonderland Delphine Soulhat \ Part III: Mansfield: Class and Gender \ 9. 'The Women in the Stor(y)': Disjunctive Vision in Mansfield's 'The Aloe' Bruce Harding \ 10. 'A City of One's Own': Women, Social Class and London in Katherine Mansfield's Short Stories Ana Belén López Pérez \ 11. 'My Insides Are All Twisted Up': When Distortion and the Grotesque became 'the same job' in Katherine Mansfield and Virginia Woolf Gerardo Rodríguez Salas with Isabel María Andrés Cuevas \ 12. 'On the Subject of Maleness': The `Different Worlds of Katherine Mansfield and D. H. Lawrence Susan Reid \ Part IV: Mansfield: Biography/Autobiography \ 13. The Mansfield Legacy Kathleen Jones \ 14. 'My Many Selves': A Reassessment of Katherine Mansfield's Journal Valérie Baisnée \ 15. 'Blue with Cold': Coldness in the Works of Katherine Mansfield Janka Kašcáková \ 16. Katherine Mansfield's Menagerie Melinda Harvey \ Notes on Contributors \ Index
Les mer
A reinterpretation of Katherine Mansfield's work that expands our understanding of her place in Modernism.
Links current research with canonical interpretations of Mansfield's writing and that of her modernist contemporaries.
Historicizing Modernism challenges traditional literary interpretations by taking an empirical approach to modernist writing: a direct response to new documentary sources made available over the last decade. Informed by archival research, and working beyond the usual European/American avant-garde 1900-1945 parameters the series reassesses established images of modernist writers by developing fresh views of intellectual backgrounds and working methods. Series Editors: Matthew Feldman and Erik Tonning Associate Editor: Natasha Periyan, Lecturer in Literature, King’s College London, UK Editorial Board: Professor Chris Ackerley, Department of English, University of Otago, New Zealand; Professor Ron Bush, St. John’s College, University of Oxford, UK; Dr Finn Fordham, Department of English, Royal Holloway, UK; Professor Steven Matthews, Department of English, University of Reading, UK; Dr Mark Nixon, Department of English, University of Reading, UK; Professor Janet Wilson, University of Northampton, UK; Santanu Das, University of Oxford, UK; Nan Zhang, The University of Hong Kong; Kevin Andrew Riordan, Nanyang Technological University, Singapore
Les mer

Produktdetaljer

ISBN
9781472524973
Publisert
2014-01-16
Utgiver
Vendor
Bloomsbury Academic
Vekt
278 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
240

Biographical note

Janet Wilson is Professor of English and Postcolonial Studies at the University of Northampton, UK, Research Fellow in New Zealand Studies at Birkbeck, University of London, and Co-Editor of the Journal of Postcolonial Writing. Gerri Kimber is Associate Lecturer at The Open University, UK. She is co-editor of the literary journal Katherine Mansfield Studies. Susan Reid is Associate Editor of Katherine Mansfield Studies and Reviews Editor for the Journal of Postcolonial Writing.