Interpreting Music, Engaging Culture: An Introduction to Music Criticism offers a clear, hands-on guide for emerging music critics that brings together aesthetics, critical theory, and practical music criticism in an accessible format. Over the course of the book, readers develop a vocabulary and framework for criticizing music of all kinds and for various media while learning how to connect music to its cultural, social, and political contexts.Excerpts from primary sources throughout provide a wide range of writing examples, while Chapters address the distinct challenges of describing and interpreting music for various media and in diverse formats. Along the way, the book explores questions at the core of music and its criticism, such as what constitutes a musical work and what makes a piece of music âauthenticâ; it also introduces critical lenses, including feminist and queer criticism, postcolonialism and critical race theory, as well as the analysis of music in consumer culture. Addressing both classical and popular music criticism, Interpreting Music, Engaging Culture is a comprehensive and lively textbook that enables students to uncover, articulate, and analyze what makes music compelling and meaningful.
Les mer
Interpreting Music, Engaging Culture: An Introduction to Music Criticism offers a clear, hands-on guide for emerging music critics that brings together aesthetics, critical theory, and practical music criticism.
Les mer
ContentsIntroduction A Critical Engagement with MusicCritical DiscourseFrom Critical to CriticismWhatâs Not Criticism?Why do Criticism?Chapter SummaryGuide QuestionsPART ONE: AESTHETIC FOUNDATIONS Chapter OneWhat is Art? The Musical Work ProblemThe Musical Work ConceptGetting to Know the Musical WorkHistorically Informed Performance (HIP) MovementGetting to Know Technical Aspects of the PerformanceGetting to Know Interpretive Aspects of the PerformanceThe Musical Work and ValueThe Case of Popular MusicChapter SummaryGuide QuestionsChapter TwoAuthenticityDefining AuthenticityFolk AuthenticityAuthenticity in Hip HopChapter SummaryGuide QuestionsChapter ThreeBeyond AuthenticityPostmodernismPostmodern Music and Its CriticismPostmodernism in a Post-Truth EraChapter SummaryGuide QuestionsPART TWO: CRITICIZING MUSIC Chapter FourDescribing MusicElements of MusicGenreStyle PeriodContexts for ConsumptionChapter SummaryGuide QuestionsChapter FiveInterpreting MusicMusical InterpretationInterpretive StrategiesChapter SummaryGuide QuestionsChapter SixEvaluating MusicSome Negative Criticism of Negative CriticismEvaluation and the Workâs PurposeThe Value of the PurposeThe Critic as EducatorChapter SummaryGuide QuestionsPART THREE: CRITICAL LENSES Chapter SevenFeminist Music CriticismFeminism and FeminismsWhy do we Need Feminism?History of FeminismsFeminism and MusicFeminist CriticismChapter SummaryGuide QuestionsChapter EightQueer Music CriticismGender QueerQueering the PatriarchyMusic and Queer ExpressionCamp isnât Always QueerQueer isnât Always CampQueer Criticism as History and AllyshipChapter SummaryGuide QuestionsChapter NinePostcolonialism and Critical Race TheoryOrientalismPostcolonialismPostcolonialism and Critical Race TheoryChapter SummaryGuide QuestionsChapter TenMusic and Consumer CultureThe Case of Popular Music\Hybrid Advertising in Popular MusicMusic and Marketing in the Age of Social MediaChapter SummaryGuide QuestionsPART FOUR: CRITICAL CONTEXTS Chapter ElevenAlbum and Track-by-Track ReviewsAlbum Review in the Age of StreamingTrack By Track ReviewWriting for a Specific PublicationChapter SummaryGuide QuestionsChapter TwelveProgram Notes and the Live Concert ReviewProgram Notes as GuideLive ReviewChapter SummaryGuide Questions
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Produktdetaljer
ISBN
9781138585591
Publisert
2024-11-29
Utgiver
Vendor
Routledge
Vekt
453 gr
Høyde
229 mm
Bredde
152 mm
AldersnivĂĽ
U, 05
SprĂĽk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
190
Forfatter
Biographical note
Katherine Walker is Associate Professor of Music at Hobart & William Smith Colleges.