Fascinating ... Like most good critical works, it kindles interest in its subject, and for this alone Ghanaian Popular Fiction deserves praise. More than that, it is a perceptive study which has made a significant advance in its field

- James Copnall, THE TIMES LITERARY SUPPLEMENT

This is an intriguing examination of Ghana's popular fiction stretching back to the 1930s.

- Guy Arnold, WEST AFRICA

... this superb detailed study...

- Gareth Griffiths, ARAS

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Stephanie Newell breaks new conceptual and analytic ground in this first book-length study of the English language popular literary expression and production in Ghana... Newell's Ghanaian Popular Fiction is the definitive book-length work on West African popular literary expression that we have long been waiting for. Its nuanced theorization and analytic multi-dimensionality should stimulate fresh departures from know-it-all theoretical orthodoxy and open new lines of research into what really is going on culturally within the postcolonial contact zone.

- Kwaku Larbi Korang, INTERVENTIONS

This is a study of the unofficial side of African fiction. Stephanie Newell's book reveals the undocumented writing, publishing and reading of pamphlets and paperbacks which exist outside of mainstream mass-production in Ghana. Gender relations are a dominant theme in the stories which explore and symbolically resolve commonly held pre-occupations about marriage, money and manhood. North America: Ohio U Press
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This is a study of the unofficial side of African fiction.
Introduction - the relevance of postcolonial theories to the study of West African popular literatures; the proverbial space in Ghanian popular literatures; "making up their own minds" -readers, interpretations and the difference of view; Ghanian readers' comments on the role of authors and the function of literature; "pen-pictures" of readers - the early days of Ghanian popular fiction; an incident of colonial intertextuality - the adventures of the black girl in her search for Mr Shaw; the "book famine" in postcolonial West Africa; "two things may be alike but never the same" - E.K. Mickson's parodic techniques; "those mean and empty-headed men" - the shifting representations of wealth and women in two Ghanian popular novels; "reading the right sort of books and articles" - Kate Abbam's Obaa Sima; uprising genres -Akosua Gyamfuaa-Fofie's romantic fiction; conclusion - popular novels and international African fiction.
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Produktdetaljer

ISBN
9780852555569
Publisert
2000
Utgiver
Vendor
James Currey
Vekt
296 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
192

Forfatter

Biographical note

Stephanie Newell is George M. Bodman Professor of English at Yale University. Her works include Histories of Dirt in West Africa: Media and Urban Life in Colonial and Postcolonial Lagos (2020) and The Power to Name: A History of Anonymity in Colonial West Africa (2013), finalist for the ASA Best Book Prize 2014.