“excellent...outstanding...belongs in any literature reference collection”—<i>ARBA</i>; “one terrific book...fascinating”—<i>Midwest Book Review</i>; “a formidable amount of research...an astonishing range of material...welcome...intriguing”—<i>Reviewing The Evidence</i>; “It’s a groundbreaking study of gay and lesbian detective fiction.... Judith interviewed me for this book several years ago and I’ve been patiently wating for its publication...will undoubtedly become <b>the</b> reference source for libraries around the U.S.—and around the world”—Ellen Hart, Jane Lawless series; “For us now half-forgotten writers who fought the good fight when the battle counted for something...it is good to be remembered!—Joseph Hansen, Dave Brandstetter series; “Judith interviewed me for the book.... She’s a devoted fan of gay mystery fiction whose book is a solid current survey of the field”—Elizabeth Sims, Lillian Byrd series; “A well-written novel”—Lori L. Lake, Author of <i>Have Gun Will Travel.</i>
Gertrude Stein called it "the only really modern novel form that has come into existence," yet the mystery genre was a century old before it featured its first gay main character in a novel. Since then, gay and lesbian detective fiction has been one of the fastest growing segments of the genre. It incorporates gay and lesbian cultural elements and offers crossover appeal. Its authors call upon a century of development in the mystery genre, while providing new, more accurate images of lesbians and gay men than generally found in mainstream literature and popular media.
This groundbreaking study of gay and lesbian detective fiction examines mystery series and historically significant stand-alone novels published since the early 1960s. Part I is an overview that describes how these novels make gay and lesbian life visible and forge new, powerful images. It also examines how they fit into the larger history of mystery fiction. The series analyses in Part II are grouped according to the type of main character (police officer, private investigator, amateur sleuth, etc.). Each section discusses main and secondary characters of that type, characteristic themes for the group, and more. The analyses of individual series cover main characters, themes, plot points and other elements. Comments from authors interviewed for this book play a central role in those analyses. Part III lists series-spanning themes (e.g., homophobia, the closet, gay marriage) and the novels and series that address each of those themes.
Acknowledgments
Foreword by Katherine V. Forrest
Preface
I. The Gay and Lesbian Crime-Fiction Scene
II. The Authors and Their Characters
Police
Private Investigators
Professional Sleuths
Amateur Sleuths
Partners
III. Themes Across the Series
Notes
Bibliography
Index