“This is the book for which serious historians of garden history in this country have been waiting… the fruit of some four decades of both archival and on-the-ground research brought together in one magisterial work. The result is a triumph, and a publication that will remain a cornerstone of all future studies.”—Roy Strong, <i>Country Life</i><br /><br />“The book’s illustrations are astonishing. . . . The integration of visual and textual evidence allows many insights and discoveries.” —Tom Turner, <i>Garden History </i><br /> <br /><br />“While few of these high-maintenance gardens exist today, they are brought alive through contemporary engravings and Jacques’ text.”—Jane Owen, <i>Financial Times</i><br /><br />“The kind of companion a coffee table dreams about supporting: a comprehensive survey of 17th-century English formal gardens . . . This ‘visual record’ will make readers long to explore those bygone forecourts, flower gardens, bowling greens, cascades, and more.”—Steve Gutierrez, <i>British Heritage Travel</i><br /><br />“A landmark in Garden History studies.”—Georgina Craufurd, <i>Hampshire Gardens Trust</i><br /><br />"Jacques’s book brings a new, heavily documented and informed treatment to a topic that, as he ends by acknowledging, "recognizes the contribution" of many disciplines to its expanded field of enquiry."—John Dixon Hunt, <i>Historic Gardens Foundation</i> May 2017<br /><br />‘The rewards are substantial for anyone interested in garden history or the wider aspects of social and political history.’ — Richard Bisgrove, <i>The Garden, </i>November 2017 <br /><br />‘This volume includes 300 illustrations that bring lost and forgotten gardens back to life.’ — <i>Listed Heritage</i> 115, November 2017<br /> <br /><br />Recommended as one of the three books for gardeners by Ruth Pavey in the <i>Ham and High, </i>30 November 2017<br /> ‘…a rich, scholarly and intriguing work’ — Ruth Pavey, <i>Ham and High, </i>30 November 2017<br /> <br /> <br /><br />‘[the book] provides the reader with a concentrated picture of an extensive subject, bringing together both the wider view across England and the illuminating detail which brings the subject to life.’ — Marilyn Brown, <i>The Pleasaunce</i><br /> <br /><br />Won the 2017 Choice Award for Outstanding Academic Title<br /><br />
Published in association with the Paul Mellon Centre for Studies in British Art