How can we interpret the work of contemporary artists? Focal Points is a new book series of essays, articles and reviews by acclaimed curator and critic Robert Storr. Expertly edited by art historian and curator Francesca Pietropaolo, and richly illustrated, it lends Storr’s illuminating insights into an artist’s practice and way of thinking across recent decades. Brilliantly scholarly, accessible and engaging, Focal Points offers fresh interpretations of the varied territory of modern and contemporary art.

Through a selection of texts spanning from 1986 to 2016, volume one brings together thirty years of Storr’s writings on American artist Bruce Nauman (b.1941) whose practice encompasses sculpture, photography, neon, drawing, printmaking and performance. Much of Nauman’s work makes use of language games and visual puns, influenced by the linguistic theories of twentieth-century thinker Ludwig Wittgenstein and by the work of writer, poet and playwright Samuel Beckett. Describing his work in 1970, Nauman said: ‘Sometimes the activity involves making something, and sometimes the activity is the piece.’

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Produktdetaljer

ISBN
9781912122707
Publisert
2024-05-16
Utgiver
Vendor
Heni Publishing
Høyde
212 mm
Bredde
140 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
152

Forfatter

Biographical note

Robert Storr is an art critic, curator and artist. He has written widely on art and has interviewed some of the world's leading artists. Storr's writing has appeared in countless books and exhibition catalogues as well as in Art in America, Artforum, Parkett and ARTnews. He has curated exhibitions internationally and was the first North American curator of the Venice Biennale in 2007. His bestselling Interviews on Art (2017), Writings on Art 1980-2005 (2020) and Writings on Art 2006-2021 (2021) were published by HENI. Francesca Pietropaolo is an Italian art historian of modern and contemporary art, and an independent curator. She has worked at the Walker Art Center, Minneapolis and the Museum of Modern Art, New York. As an art critic, she has written widely, including for Flash Art International, ARTnews, Art in America and Arte e Critica.